You can only learn to paint by drawing, for drawing is a way of reserving a place for color in advance.
Every perception of color is an illusion, we do not see colors as they really are. In our perception they alter one another.
I want color and form to have contradictorily functions.
For me, each nuance of a color is in some way an individual, a being who is from the same race as the base color, but who definitely possesses a distinct character and personal soul.
Color is sensitivity in material form, substance in its purest form.
Color is enslaved by line, that becomes writing.
Color in painting lures the eyes as verses do in poetry.
When you feel colors, you will understand the why of their forms.
I think of color as being seen in and throughout, not solely on the surface.
Color is a language, like music.
Then very slowly I go to slightly lighter colors until little by little, the forms begin to take shape and I start to see what is happening. Since I never plan in advance, I simply let myself be led by instinct, taste and intuition. And it is in this manner that I find myself creating visions that I have never before imagined. And little by little certain color effects develop that excite me and I find the painting itself leading me on and I become only an instrument of a greater, wiser force...or being...or intelligence than I myself am.
White... is death. It's hospitals. It's my terrible nurses. White is absolute horror. It is just the worst.
A time will come when the eye of man will perceive colors as feelings within itself.
I want to give colors intoxication, fullness, excitement, power by trying to forget Impressionism.
Color has such a friendly appearance, that I always see it with fresh delight, now with all its tints, like the spirits of the light, it nestles in and penetrates all physical forms.
Color, to continue had to occur in space.
Color is the first revelation of the world.
Color must be thought, imagined, dreamed.
What I most cherish is the observation of the movement of colors. Only in this have I found the laws of those simultaneous and complementary color contrasts that nourish the actual rhythm of my vision. In this I find the actual essence, an essence which is not born out of an a priori system or theory.
I'm interested in creating a space through color contrasts, rather than by simple shadows of light and dark.
One who knows how to appreciate color relationships, the influence of one color with another, their contrasts and dissonances, is promised an infinite variety of images.
We stand for a use of color free from the imitation of things as colored objects. We stand for an aerial vision in which the material of color is expressed in all of the manifold possibilities our subjectivity can create.
The effects of color are controlled by intuition.
The art of the colorist has in some ways elements of mathematics and music.
The good painter is the one who buries a color every day.
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