Through conscious beings the universe has generated self-awareness. This can be no trivial detail, no minor byproduct of mindless, purposeless forces. We are truly meant to be here.
The Ragamuffin rabble are the unsung assembly of saved sinners who are little in their own sight, conscious of their brokenness and powerlessness before God, and who cast themselves on His mercy. Startled by the extravagant love of God, they do not require success, fame, wealth, or power to validate their worth. Their spirit transcends all distinctions between the powerful and powerless, educated and illiterate, billionaires and bag ladies, high-tech geeks and low-tech nerds, males and females, the circus and the sanctuary.
The only disadvantage to directing if you've been an actor is how self-conscious you are. When I'm directing, I'm always so aware when I'm speaking to an actor of how easily I could throw them off by saying something careless or not being clear or concise. So it does make you watch your words in a way that sometimes is unhelpful.
The age of puberty is a crisis in the age of man worth studying. It is the passage from the unconscious to the conscious; from thesleep of passions to their rage.
The ubiquitous and acutely conscious presence of our adolescents is a major problem, especially since much of their consciousnessseems to be focused on sexuality--ours and theirs. They expect us to ignore them if they are kissing their dates in the family room; but let us so much as wink at one another, and they whistle loudly.
There is no soul; there is only consciousness, the highest thing man ever has! Losing the conscious means to die! Death is not a door; when our conscious is gone, all is gone! Only the existence has the doors! Only the life presents you doors! You can save yourself only when you are alive, not after because there is no after! The first step for salvation is to know this simple truth!
Not for the first time, I wonder what it would feel like that, to be so beautiful that you don't even realize people are watching you, to be so confident that you don't even have to worry about being nervous or feeling self-conscious. I've spent what seems like my whole life trying to pretend I'm that way. What would it be like to have it just come naturally?
Fundamentalists believe that we don't believe in anything. In their view of the world, they are in possession of absolute certainties, while we are descending into decadence. We will be able to triumph over terrorism not by waging war on it, but through a conscious, fearless way of life.
The word "people" is unpleasant to me. The phrase "Soviet people" was drummed into us from childhood on. I love concrete people, enlightened people who live conscious lives and do not simply sit there and vegetate. To love the people you have to be the general secretary of the Communist Party or an absolute dictator.
When you are dealing with a serious compulsion or addictive pattern, then by definition self-will, self-discipline, and any other machinations of the conscious mind are not enough by themselves to handle the problem. It is like a breaker switch in your brain is simply flipped. Anybody who has had this kind of a problem knows that it doesn't matter how intelligent you are. Sigmund Freud said, "Intelligence will be used in the service of the neurosis."
I think the guys are more conscious of the fact that being in good physical condition under the conditions that they play will make them better players.
People who take books on sex to bed become frigid. You get self-conscious. You can't think a story. You can't think, "I shall do a story to improve mankind." Well, it's nonsense. All the great stories, all the really worthwhile plays, are emotional experiences. If you have to ask yourself whether or not you love a girl or you love a boy, forget it. You don't. A story is the same way. You either feel a story and need to write it, or you better not write it.
When you present something that you have worked on to somebody else, for some reason that is the moment when you can see everything that you have done wrong. They may or may not agree, but it is more of a personal thing for me. It is that I am looking at it because you are self conscious and suddenly there is someone in the room that is seeing it for the first time.
There's a difference between knowing God and knowing about God. Knowing about God is all of the stuff we've been told and all of the books we've read and all of our religious experiences and what others have told us and tried to convince us of. But knowing God is when we make conscious contact.
I feel like something has changed for me, but it’s a new change, so it’s going to be hard for me to describe. Maybe it has something to do with turning 30. I don’t feel as shy or nervous or self-conscious. I have more confidence that I can handle what life brings me. I don’t feel scared to have an idea and express it. I feel giddy about it because it’s a complete transformation. It’s like I’ve found my voice.
Once you get older, you get a little closer to yourself, intimate. I've always been very aware of that, more conscious of who I am, how I fit in the thing as opposed to trying to emulate someone else. Though, sometimes I try to emulate De Niro all the time, who is someone I could never be.
I love to read about music and about art, but I don't try and take things about mythology or guidelines as to how I'm to behave as an artist. It's the realm of intellectual debate. Actually, more and more my direction is trying to get further away from being self-conscious of what the parameters are of the mainstream, where it intersects with the underground.
There are a lot of things that I'm allowing myself to be, but it's a conscious effort to experience contentment for me. My brain doesn't do that naturally. I'm very overwhelmed all of the time.
The representational-image urge is actually a kind of heightened perception, and I don't stop to think. I don't freeze up - it's actually a kind of letting-go. It's like dancing. At a certain point it's conscious, unconscious, everything is kind of coming together.
I'm a mother! So I am more conscious of what I wear. Because when I was younger I would wear just about anything - and I would always show my belly. I mean, I still do that now when I perform, but it's just done more in a tasteful manner.
I never make conscious decisions. If my agent says to me, "It's a good script," I'll do it. I don't plan. I've got a lot of things to do. I'm at the roulette table and my luck seems to be running at the moment. I might as well stay there until it runs out.
I like to work with artists from around the world. There are so many new inspiring filmmakers. I had the privilege recently to work with Ethiopian filmmaker Zeresenay Mehari and his wife on the film Difret. They are that unique balance of very thoughtful conscious filmmakers who are also brilliant, original artists.
Mother Teresa's numerical results were not her greatest contribution. Instead, she made the world-and especially India-conscious of compassion.
For me the information has to remain incredibly neutral. It's what I would call 'ice-like' information. I receive very rapid impressions. I don't have to sit there and concentrate. Because, if I start to really focus, my conscious mind begins to apply data, which is not accurate.
Nonviolence, in its dynamic condition means conscious suffering.
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