A lot of conservative writers have twisted that argument in the conversation around Judge [Gonzalo] Curiel and said this is identity politics as played by liberals. And that I think what they're trying to say is that progressives are the first to say.
I'm not rapping, I'm conversing. It's just a conversation between me and you.
Britain deserves better than people who say they've got a quick fix but won't tell you what it actually means for Britain, we need a much bigger conversation than this.
You know, I`ve had so many conversations over the last several months with people who have come up to me and said that they`re going to go vote for the first time because they want to vote against Donald Trump because he`s scaring them.
To me, humor is part of a conversation with an audience.
There's actually a disdain for the conversation about audience in the art world. Artist to artist, if you say, "What do you think about audience?" they would probably say, "I don't think about audience, I only think about my work," yet the audience is such an important part.
Social is about engaging, it's about a conversation, it's about listening and then responding, it's an ongoing conversation with our fan base.
There are several key pieces to keeping audiences engaged, and the evolution of that. One of them is a content ecosystem, which is leveraging and utilizing as many different platforms as you possibly can to continue to drive the conversation so people have the opportunity to enter your brand from different ways.
David [Cameron] has been an outstanding friend and partner on the global stage and, based on our conversation, I'm confident that the UK is committed to an orderly transition out of the EU.
I feel that the term "new age" is used by basically hostile media to diminish and marginalize a conversation that is very significant. It's held in place by journalists who are constantly looking for hooks and sound bites to keep them from having to make the effort of a deeper understanding and a more profound level of communication with the public.
Every night I try to look at the audience and treat every audience differently. It's almost like it's a single entity or a person. I always try to treat it like a conversation and allow it to happen naturally in the same way that you would engage in conversation.
That's what I've found through yoga: yoga helps us to sort of rewire the mind so that we can literally become more mindful of the conversation we're having on the back end, what we're telling ourselves.
You can have a poem like "B-Movie" and sum up thirty conversations that people have had on the subject, but I wrote it down, and other people didn't.
I can tell you it makes a big difference to have a director who is collaborative. What motivates a character in my mind could be completely different from what the director's thinking. You have to have those conversations ahead of time and throughout the process. It affects the performance.
I have been in situations where actors are treated like robots: say the lines, say it like this, we don't have time for conversations. That is a terrible position to be in as an artist. You feel used.
I want to have conversations, because they give you confidence in your choices. I learned it first on Boyz n the Hood, but it is not a race-based experience - it is part of the artistic process.
My measure of success is to walk into a restaurant and hear a table debating drug policy. Once the public start the conversation, the politicians will join - that is when we can create real change.
Through social media, we can start a global conversation. This creates an army of advocates - the power really is in the hands of the viewers.
My mother was a feminist, and she gave me some tools of self-possession and self-empowerment, but now that I have lived here for forty-three years, it's, like, whoa, there is just so much more to do, other than become myself. I'm still talking about it. I still drop the P-word, "patriarchy," on unsuspecting people in everyday conversations.
I want to engage people in an honest, enlightened, and provocative conversation about the nature of erotic desire and the intricacies of intimacy and sexuality. The object of my game is to bring nonjudgmental, multicultural understanding to the challenges and choices of modern relationships.
I feel like we are so much more comfortable sweeping things under the rug and putting on a brave face, and to me, sweeping under the rug is a coward move, not a brave move at all. I want to get out there and have a conversation.
I tell this anecdote with tongue in cheek at the start of my book William Burroughs and the Secret of Fascination, but my academic involvement with Burroughs was entirely due to my tutor at Oxford, Peter Conrad. I was discussing with him the idea of staying on to do graduate work and when I tossed the name of Burroughs into the conversation - well, he let it fall loudly onto the floor, and proceeded to cross himself as if warding off an evil spirit. Since I was very ambivalent about an academic career in any case, that decided it for me.
I know from personal conversation and from personal interaction, that Hillary Clinton cares deeply about issues of inclusion.
The Dalai Lama says Tibet and the modern world can engage in a conversation; perhaps Tibet has something to share with the rest of us based on its researches into mind, and we have a lot that we can share with Tibet.
In order for my live performance to work, which is about generating a focused energy for about an hour and a half, it is necessary for me to listen and take in someone else's focused energy the day of or the day before the live show. That can transpire through a conversation, or inspiration can occur by looking through any type of visual book which sparks a narrative. That narrative then becomes today's seed and can then take root in music terms, where a sonic tree begins to grow.
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