The truly great and good, in affliction, bear a countenance more princely than they are wont; for it is the temper of the highest hearts, like the palm-tree, to strive most upwards when it is most burdened.
The lightsome countenance of a friend giveth such an inward decking to the house where it lodgeth, as proudest palaces have cause to envy the gilding.
There is a peculiarity in the countenance, as everybody knows, which, though it cannot be described, is sure to betray the Englishman.
Hamlet is to Macbeth somewhat as the Ghost is to the Witches. Revenge, or ambition, in its inception may have a lofty, even a majestic countenance, but when it has "coupled hell" and become crime, it grows increasingly foul and sordid. We love and admire Hamlet so much at the beginning that we tend to forget that he is as hot-blooded as the earlier Macbeth when he kills Polonius and the King, cold-blooded as the later Macbeth or Iago when he sends Rosencrantz and Guildenstern to death.
A century ago mainstream science was still quite happy to countenance vital and mental powers which had a 'downwards' causal influence on the physical realm in a straightforwardly interactionist way. It was only in the middle of the last century that science finally concluded that there are no such non-physical forces. At which point a whole pile of smart philosophers (Feigl, Smart, Putnam, Davidson, Lewis) quickly pointed out that mental, biological and social phenomena must themselves be physical, in order to produce the physical effects that they do.
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