Nothing needs to happen to a writer’s life after they are 20. By then they’ve experienced more than enough to last their creative life.
The only good grades I ever got in school before I was kicked out were for creative writing. I thought that fiction might be in my future but then my career took a different path once the Beatles showed me what a blast being in a band could be. Writing my memoir Late, Late at Night reminded me how much I love the craft. So I decided to give fiction a shot again.Magnificent Vibration is the result. I’m still not quite sure where it came from, but once I got going, it practically wrote itself. I’ve heard writers I admire speak of that phenomenon, so maybe I’m on the right track.
A leader has to be one of two things: he either has to be a brilliant visionary himself, a truly creative strategist, in which case he can do what he likes and get away with it; or else he has to be a true empowerer who can bring out the best in others.
Anytime we think the problem is 'out there,' that thought is the problem. We empower what's out there to control us. The change paradigm is 'outside-in' - what's out there has to change before we can change. The proactive approach is to change from the 'inside-out': to be different, and by being different, to effect positive change in what's out there - I can be more resourceful, I can be more diligent, I can be more creative, I can be more cooperative.
One cannot learn how to be creative by reading Marx. Either one is creative or one is not.
Our historical bequest is sublime. I have inherited a fragmented but highly creative exile and, since 1948, a home. I don't know that I want to settle there. I prefer the creative spur of exile. () But wherever I am I shall be Jewish, and that sound will inform every syllable I write. I am blessed with a long ancestry of wisdom, prophecy, and promise, a line of overwhelming creative achievements, courage, humor, and, above all, a dogged and chronic permanence, the greatest legacy of all.
I learned I'm not a good executive, I'm an entrepreneur and I'm creative. I have to go with my gut and do what I want to do.
Creativity starts with humanity when were being human we feel - joys, sadness, when we're sick, when we're nervous
What do I do to live? What do I do to be vital? The answer is always creativity; the answer is always art.
I like the idea of not being afraid of letting your imagination rule you, to feel the freedom of expression, to let creativity be your overwhelming drive rather than other things.
Every young artist has to do it one way, his [or her] way, and the hell with patterns. Remember who you are and where you are and what you are doing.... And never take advice, including this.
Learning should never stop for all age groups. We can empower millions to realize the opportunity to help shape a new society of creative 'mentorologists' in all areas of life.
If I had to express in one word what makes their [creative individuals'] personalities different from others, it's complexity. They show tendencies of thought and action that in most people are segregated. They contain contradictory extremes; instead of being an "individual," each of them is a "multitude."
Once a man has tasted creative action, then thereafter, no matter how safely he schools himself in patience, he is restive, acutely dissatisfied with anything else. He becomes as a lover to whom abstinence is intolerable.
What I like about non-fiction is that it covers such a huge territory. The best non-fiction is also creative
If we can (generate) the right emotion inside of us, we can get ourselves to do anything. If you don’t have the money, but you’re creative and determined enough, you’ll find the way.
Can you imagine any better example of divine creative accomplishment that the consummate flying machine that is a bird? The skeleton, very flexible and strong, is also largely pneumatic - especially in the bigger birds. The beak, skull, feet, and all the other bones of a 25-pound pelican have been found to weigh but 23 ounces.
In Hollywood, story content of movies follows a hierarchy of power, not the relative quality of various ideas. Hollywood does not lack for quality writing. It's just that quality writing commonly has to be sacrificed in order to propel a film into production. A studio needs a star and a director to make a film, so those are the folk who'll define the content. If they don't have the same creative sensibilities, then the content will change.
I feel like I introduce another level of my creative ability on every album.
The psyche of the individual is commensurate with the totality of creative energy. This requires a most radical revision of Western psychology.
Executive Severance, a laugh out loud comic mystery novel, epitomizes our current cultural moment in that it is born from the juxtaposition of authorial invention and technological communication innovation. Merging creative text with new electronic context, Robert K. Blechman's novel, which originally appeared as Twitter entries, can be read on a cell phone. His tweets which merge to form an entertaining novel can't be beat. Hold the phone; exalt in the mystery-engage with Blechman's story which signals the inception of a new literary art form.
So little have thee first Christians (who despoiled the Jews of their Bible) understood the first four chapters of Genesis in their esoteric meaning, that they never perceived that not only was no sin intended in this disobedience, but that actually the 'Serpent' was 'the Lord God' himself, who, as the Ophis, the Logos, or the bearer of divine creative wisdom, taught mankind to become creators in their turn.
My monochrome pictures are not my definite works, but the preparation for my works. They are the leftovers from the creative processes, the ashes. My pictures, after all, are only the title-deeds to my property which I have to produce when I am asked to prove that I am a proprietor.
In order to create, we draw from our inner well. This inner well, an artistic reservoir, is ideally like a well stocked fish pond... If we don't give some attention to upkeep, our well is apt to become depleted, stagnant, or blocked... As artists, we must learn to be self nourishing. We must become alert enough to consciously replenish our creative resources as we draw on them - to re-stock the trout pond, so to speak.
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