I grew up as a dancer. I did tap, classical ballet, all of that. I did Indian dancing, or Bharata Natyam, classic temple dancing from Madras, originally. My mother always had the great idea that I should learn it.
There's a moment when you say, "Okay, I'm not going to become a dancer. I'm not going to become a painter." So in a sense, I ended up writing about those big conflicts that I felt.
In vocal choreography you had to give a lot of consideration to the fact that you were working with singers and not dancers. But you had to make singers look like they were dancers, and to make the movements as natural as possible, and there to be an association with the movement, uh, somewhat to what the lyric was saying.
I try to, at least once or twice a week, have someone over and model, usually a dancer friend or a poet or someone to come over and just stay still for me. Depending on how exhibitionist they are, it will determine the finished work. And I say, "You're the muse; you come up with it. I'll draw you however you want."
I've always been athletic and a dancer, so I love doing fight choreography.
I know hands down I would lose for sure, but I would love to just dance with Beyoncé. Really, that's what my dream is. She is such a good dancer and I know I would lose, like hands down I know I would lose, but I just want to be in her presence and see her dance up close. She is so good, I am literally obsessed with her and I think she's amazing.
I was never a dancer before 'Shake It Up'.
Making the ballet really taught me how to get things moving. Ballet dancers don't stand still.
They call them performance artists, but they shouldn't be making an album. They should just be dancers. I don't know, I'm a musical snob. I feel like if you're going to record music and you're going to be a singer, you have to be able to sing.
I initially told people I wanted to be a dancer and ultimately a "Rockette." I didn't really know what a musical theatre performer was other than the Shirley Temple type.
My goal has always been to be a principal dancer with ABT.
My whole family is in the arts some way or the other. My father was a cellist in a symphony outside Chicago that was a side-job, he was a scientist. My mother was a dancer in New York. She was next-door neighbors with Dorothy Loudon and they moved to New York together. Mom was a dancer in New York for several years before she got married. My sister was a classical pianist. And my brother was a partier. So it all just seemed to work.
Stand-up in general is the most raw form of entertainment. There is no pyrotechnics or back-up dancers, it's just live and die by your jokes, that's it.
One should adpot only those situations in which one is in no need of sham virtues, but rather, like the tight-rope dancer on his tight rope, in which one must either fall or stand--or escape.
I always call Billy Elliot a fantasy autobiography because I never wanted to be a dancer, but I got a lot of stick from the other kids about wanting to be a writer and being interested in drama.
I began dancing when I was 7 years old. I was told that I had the perfect ballet dancers body and had these crazy high arches in my feet that resulted in an amazing point. Ballet was very disciplined and, frankly, a little boring, so I eventually transitioned to gymnastics. I loved that, although I never reached a competitive level.
When the Negro musician or dancer swings the blues, he is fulfilling the same fundamental existential requirement that determines the mission of the poet, the priest and the medicine man.
That kind of friendship doesn't just materialize at the end of the rainbow one morning in a soft-focus Hollywood haze. For it to last this long, and at such close quarters, some serious work had gone into it. Ask any ice-skater or ballet dancer or show jumper, anyone who lives by beautiful moving things: nothing takes as much work as effortlessness.
Hoop Dancer is a rendering of my understanding of the process by which one enters into timelessness -- that place where one is whole.
Step Up doesn't have to hide anything. These are actually moves that people do. It just so happens that dancers are superheroes. People think there is a lot of wire work or camera tricks, but that's just not the case.
As dancers, especially for myself, personally, dance constitutes a lot of the conversation that I have. While I'm not a ridiculous wordsmith and I can't clearly verbalize the things that I'm feeling sometimes, I'd say that I can emote how I feel by dancing, 100% of the time, and fearlessly at that.
I've done everything. I've sung, done records, plays... It just so happened my first professional job was as a dancer. I've done the whole shebang, darling. But dancing was my first professional engagement in 1974. I got paid for it, so that was it, my vocation. But my parents weren't keen. They wanted me to be an accountant in Italy. Or a lawyer. They were furious. I had to run away. I had to leave the country.
I love Abby Lee Miller. Honestly, if there's such a thing as past lives, I was definitely a dancer.
What keeps me motivated is that I'm going to do a bunch of projects with dancers, and the people who compel me and make me love dance again are the ones I want to hire because they'll do that for others who are watching the thing. So yeah, it is difficult to crush dream sometimes, but they're all professional and they know what the deal is.
What makes a great dancer is not technique. What makes a great dancer is passion.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: