Marijuana is a very dangerous drug. Some people smoke it just once and go directly into politics.
[The World Trade Center and the Pentagon] have drawn, like gathered lightning, the anger of the enemies of civilization. Those enemies are always out there.... Americans are slow to anger but mighty when angry, and their proper anger now should be alloyed with pride. They are targets because of their virtues-principally democracy, and loyalty to those nations which, like Israel, are embattled salients of our virtues in a still-dangerous world.
People aren't against you; they are for themselves. The most dangerous risk of all - the risk of spending your life not doing what you want on the bet you can buy yourself the freedom to do it later. He who conquers others is strong, he who conquers himself is mighty.
Learn from the mistakes of others - you won't live long enough to make them all yourself. He's opposed to millionaires, but it would be dangerous to offer him the position.
What is distinctive about the U.S. is that higher education is under attack not because it is failing but because it is public. It is now considered dangerous because it has the potential to function as a site where a culture of questioning can operate, the imagination can blossom, and difficult questions can be openly debated and critically engaged.
I like crime movies where the crime is so incredible that, attractive as it seems, you don't wanna do it because it's just too dangerous.
The world is a more tragic and dangerous place when American isn't leading and, under this president, we have not been leading.
Living in Montgomery, I've been antagonized by the emergence of a narrative about our history that I believe is quite false and misleading, and actually dangerous. And the narrative that emerges when you spend time in the South - places likes Alabama, Georgia, Mississippi, Louisiana - is that we have always been a noble, wonderful, glorious region of the country, with wonderful, noble, glorious people doing wonderful, noble, glorious things. And there's great pride in the Alabamians of the nineteenth century.
I won't look it in the eye. As soon as I do, I get scared. You gotta walk the plank at some point, but at first you gotta put blinders on or you'll overthink things. I think it's dangerous, by the way, to do a lot of talks about your art, to do so much talking and so little making. You get the wrong idea about yourself.
I present the thing we're going to do as a simple starting point. They all know it's an art piece and that it's all going to be recorded. And I have never had an experience where one of these men tried to take advantage of the situation. If they were guilty of anything it was of being lonely. It was never that they were violent or dangerous.
We realized we weren't really using Odeo, we weren't investing our own time creating podcasts. We were building a tool that was a great idea for some other people. That's a dangerous way to go because if you don't actually use it yourself and love it, then you aren't going to be as fully invested in it from the start. That's what leads you to doing side projects.
The criticisms that are often presented to us by some in the conservative Jewish community about our Palestinian version are: first, that the U.S. is not in conflict with "Palestine" (quotes are theirs) and second, that Conflict Kitchen should counter the Palestinian viewpoints it presents with pro-Israeli viewpoints, otherwise we are spreading dangerous propaganda.
Being an American journalist can put people on the defensive. In countries where people assume the press is partisan, like in Lebanon, or where it had essentially become an extension of the government, like in Iraq, people tend to see a journalist as an agent of his or her government. That can be dangerous if the United States military is occupying their country, or aligned with their enemies.
The speaker tentatively reaches out with that feeling and realizes that it's kind of absurd, or at least a dangerous consolation, which is what I think is discovered as that longish sentence at the end of the poem comes to its conclusion. But here I am interpreting my own poem, which is kind of like making out with one's own high school yearbook photo.
So much of rock lyrics is just a mirror of real feeling. It doesn't feel dangerous to me. They just feel like "rock lyrics."
Fiction is more dangerous than nonfiction because it can seduce better. I think we all know this, know that deeper truths can be approached in fiction than in fact. There are risks for the reader, because after reading certain books you find you have changed irreversibly. There are risks for writers: in China, now, and Ethiopia and other countries right now, writers face real persecution.
I think writers tend to hear a different message from the ones our friends and acquaintances intend. We see what's revealed, which makes us dangerous.
The machine has got to be accepted, but it is probably better to accept it rather as one accepts a drug - that is, grudgingly and suspiciously. Like a drug, the machine is useful, dangerous, and habit-forming. The oftener one surrenders to it the tighter its grip becomes.
Donald Trump is a fool, but he is not free to be a dangerous fool in Britian.
The big downside to the global village that the Internet has created is that nothing has time to grow out of the public gaze and, even more dangerous, whatever your personal interests might be, there will always be someone somewhere to provide validation and encouragement.
If you ask which of the scenarios I think is most dangerous, though, I will give a different answer. In that form of the question, I regard a nuclear attack, terrorist-generated or otherwise, as the most threatening combination of likelihood and long-term damage to modern life today.
In the nearer term, the likeliest source of risk is a conflict between China and the U.S. These are now the two largest economies in the world, and the combination of their economic interdependence, the sharp differences in their political and economic values, and the growing divergence in their interests makes this relationship potentially dangerous for everyone who might be affected by it - which means pretty much everyone.
There are some people in occult history who warned against using the Ouija Board, who said: "This is a dangerous door to the unconscious. Don't approach this thing."
I stopped writing at the age of 18. I had written incessantly before that. I read, of course, because I was in university, but I wasn't going to write. I wasn't going to do any of those dangerous things. I was going to be a stolid, bourgeois lawyer.
I think the idea that feminism is dead is dangerous because it leads women and men to believe that (1) they don't have to do anything; the work has been done, and that everything is okay now; and (2) it leaves them kind of alone, I think, in a struggle, and that's something I've seen a lot when I go to colleges and I speak to young women.
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