These days we don’t have to fit into something other people think we are. We’ve leveled the playing field, life is inclusive. I’m a mom, sex detective, wife, fearless, gentle — we can now, with grace, be all of what we are.
It is not the fault of the entrepreneurs that the consumers,the people, the common man,prefer liquor to Bibles and detective stories to serious books, and that governments prefer guns to butter. The entrepreneur does not make greater profits in selling bad things than in selling good things. His profits are the greater the better he succeeds in providing the consumers with those things they ask for most intensely.
Who am I that I should urge these missionaries to confess their sins in public, when, for all I know, they may be living nearer to God than I am? The Spirit of God does not need me to act as His detective.
A detective with his murder mystery, a chemist seeking the structure of a new compound, use little of the formal and logical modes of reasoning. Through a series of intuitions, surmises, fancies, they stumble upon the right explanation, and have a knack of seizing it when it once comes within reach.
The careful scholarship of the dedicated amateur mycophile R. Gordon Wasson reads like an exciting scientific detective story. Moreover, his willingness to pursue the quest through the wide range of linguistics, archeology, folklore, philology, ethnobotany, plant ecology, human physiology, and prehistory constitutes an object lesson to all holistic professional students of man.
The detective story is the normal recreation of noble minds.
Your novels show only the tiniest fraction of detective work, the brilliant crime, the tantalizing clues, the dramatic chase, the final battle atop a lofty peak with ocean waves crashing down below, and then… justice served! If they wrote about the real world, four-fifths of the story would consist of the hero sitting in a library for months and following false leads.
A hand from Washington will be stretched out and placed upon every man’s business; the eye of the federal inspector will be in every man’s counting house… The law will of necessity have Indus[tr]ial features, it will provide penalties, it will create complicated machinery. Under it, men will be hauled into courts distant from their homes. Heavy fines imposed by distant and unfamiliar tribunals will constantly menace the taxpayer. An army of federal inspectors, spies, and detectives will descend upon the state.
I think it's important to recognise that 'The Da Vinci Code' opened up a vast new audience for a general readership interested in historical detective stories and research into history.
A detective novel should contain no long descriptive passages, no literary dallying with side-issues, no subtly worked-out character analyses, no 'atmospheric' preoccupations. Such matters have no vital place in a record of crime and deduction. They hold up the action and introduce issues irrelevant to the main purpose, which is to state a problem, analyze it, and bring it to a successful conclusion. To be sure, there must be a sufficient descriptiveness and character delineation to give the novel verisimilitude.
The detective story itself is in a dilemma. It is a vein which is in danger of being worked out, the demand is constant, the powers of supply variable, and the reader, with each one he absorbs, grows a little more sophisticated and harder to please, while the novelist, after each one he writes, becomes a little more exhausted.
We would never call inexplicable little insights hunches, for fear of drawing the universe's attention. But they happened, and you knew you had been in the proximity of one that had come through if you saw a detective kiss his or her fingers and touch his or her chest where a pendant to Warsha, patron saint of inexplicable inspirations, would, theoretically, hang.
Undoubtedly the stories about them [hard-boiled detectives] had a fantastic element. Such things happened, but not so rapidly, nor to so close-knit a group of people, nor within so narrow a frame of logic. This was inevitable because the demand was for constant action; if you stopped to think you were lost. When in doubt, have a man come through a door with a gun in his hand.
This element of surprise or mystery the detective element as it is sometimes rather emptily called is of great importance in a plot.
And if we’re talking about hard-boiled detectives, too, what could be more hardboiled than the worldview of Ligotti or Cioran? They make the grittiest of crime writers seem like dilettantes. Next to The Conspiracy Against the Human Race, Mickey Spillane seems about as hard-boiled as bubble gum.
Being a nerd, which is to say going to far and caring too much about a subject, is the best way to make friends I know. For me, the spark that turns an acquaintance into a friend has usually been kindled by some shared enthusiasm like detective novels or Ulysses S. Grant.
The girl's face was the color of talcum. Her uncle's was a death mask, a bone structure overlaid by parchment. Shane's was granite, with a glistening line of sweat just below his hair line. He'd never forget this night, the detective knew, no matter what else happened for the rest of his life. They were all getting scars on their souls, the sort of scars people got in the Dark Ages, when they believed in devils and black magic. (Speak To Me Of Death)
The perfect detective story cannot be written. The type of mind which can evolve the perfect problem is not the type of mind that can produce the artistic job of writing.
In history, one gathers clues like a detective, tries to present an honest account of what most likely happened, and writes a narrative according to what we know and, where we aren't absolutely sure, what might be most likely to have happened, within the generally accepted rules of evidence and sources.
THE WICKED + THE DIVINE is unlike True Detective as: it features women who do things. THE WICKED + THE DIVINE is like True Detective as: we shamelessly rip off huge chunks of stuff from Alan Moore.
If the detective should suffer overmuch from the artistic temperament, and his fellow lodger should dwell overlong upon the fairness of a wrist or the timber of a feminine voice, so much the better for us. Literature never produced a relationship more symbiotic nor a warmer and more timeless friendship.
When I was young, I knew William Burroughs really well. And William's secret desire, which he never quite did, was to write a straightforward detective novel.
I think the detective story is by far the best upholder of the democratic doctrine in literature. I mean, there couldn't have been detective stories until there were democracies, because the very foundation of the detective story is the thesis that if you're guilty you'll get it in the neck and if you're innocent you can't possibly be harmed. No matter who you are.
I read a lot of detective stories because they always deliver. They give you a beginning, a middle, and an end - a resolution. The modern novels I read don't always deliver because I'm looking essentially for a story. As in Shakespeare, "The play's the thing." In particular I read detective stories for pacing, plot and suspense.
The Big Sleep' would have been a more effective study of nightmarish existence had the detective been more complicated and had more curiosity been shown about his sweetheart's relation to the crime.
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