A great book provides escapism for me. The artistry and the creativity in a story are better than any drugs.
escapism isn't good or bad in itself. what is important is what you are escaping from and where you are escaping to.
People talk about escapism as if it's a bad thing... Once you've escaped, once you come back, the world is not the same as when you left it. You come back to it with skills, weapons, knowledge you didn't have before. Then you are better equipped to deal with your current reality.
No live organism can continue for long to exist sanely under conditions of absolute reality.
Man seeks to escape himself in myth, and does so by any means at his disposal. Drugs, alcohol, or lies. Unable to withdraw into himself, he disguises himself. Lies and inaccuracy give him a few moments of comfort.
People talk about escapism as though it's something nasty but escapism is wonderful!
Man staggers through life yapped at by his reason, pulled and shoved by his appetites, whispered to by fears, beckoned by hopes. Small wonder that what he craves most is self-forgetting.
I do like escapism. I like going to the movies on a Friday night and seeing something fun.
Music is escapism from the grim realities of life. But then as soon as you escape into the music, from my point of view, I found I had to deal with the very things that I thought I was running away from. I wanted to hit those problems on the head and resolve them. So they didn't remain as issues in my psyche.
Escapism for me can come in the form of someone else's reality.
There's no real objection to escapism, in the right places... We all want to escape occasionally. But science fiction is often very far from escapism, in fact you might say that science fiction is escape into reality... It's a fiction which does concern itself with real issues: the origin of man; our future. In fact I can't think of any form of literature which is more concerned with real issues, reality.
Escapism and wonder is influence. It makes you feel good, and that allows you to do things. You just keep on moving ahead, and you say, 'God, is this wonderful - do I appreciate it.'
That idea of escapism... these words could sum up my life.
I've loved the escapism of being another person, slipping into another character for a little while
The only people who hate escapism are jailers.
Music and art and culture is escapism, and escapism sometimes is healthy for people to get away from reality. The problem is when they stay there.
Leave everything. Leave Dada. Leave your wife. Leave your mistress. Leave your hopes and fears. Leave your children in the woods. Leave the substance for the shadow. Leave your easy life, leave what you are given for the future. Set off on the roads.
Escapism has value, even if I don't know what its value is, exactly. Maybe it's just part of some healthy way that we deal with the world.
Bond was escapism, but not meant to be imitated in real life.
Let us toast to animal pleasures, to escapism, to rain on the roof and instant coffee, to unemployment insurance and library cards, to absinthe and good-hearted landlords, to music and warm bodies and contraceptives... and to the "good life", whatever it is and wherever it happens to be.
For me, the value of a climb is the sum of three inseparable elements, all equally important: aesthetics, history, and ethics. Together they form the whole basis of my concept of alpinism. Some people see no more in climbing mountains than an escape from the harsh realities of modern times. This is not only uninformed but unfair. I don’t deny that there can be an element of escapism in mountaineering, but this should never overshadow its real essence, which is not escape but victory over your own human frailty.
I think escapism is really important.
It's all about escapism. That's essentially what all movies are about. It's a vicarious thrill.
I had read tons of science fiction. I was fascinated by other worlds, other environments. For me, it was fantasy, but it was not fantasy in the sense of pure escapism.
I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which 'Escape' is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls?
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