You either expect to win, so when you do win, you're relieved instead of excited and if you lose instead of being motivated, you're embarrassed.
A young person in Africa with a smartphone has more communications technology than the U.S. president had 25 years ago. So if the tools to change the world are now in everyone's hands, then the individuals now have the power that only governments and corporations used to have a couple of decades ago. I get excited by how that increases our capacity to be creative, and how that increases our capacity to create transformative things in the world.
There was a time when my taste in music was mainstream, for example - people like Jimi Hendrix - who I really based a lot of my inspiration on, was the most popular entertainer of his day. He was really number one. And bands like Led Zeppelin, The Beatles are really number one bands. But those days are very much done. I can't say that if I listen to the number one artist now that I get excited.
When I hear music which is really exciting, I get really excited, and when I hear music which is really boring, I get really upset. I get angry.
I had pestered [Phil Wood] for a long time. He finally agreed to do it. And I was excited and nervous and he couldn't have been nicer or more supportive from the minute I got to his house.
In looking at these pots at the Field Museum, Alix [MacKenzie] and I both came to a conclusion individually but also collectively that the pots that really interested us were the pots that people had used in their everyday life, and we began to think - I mean, whether it was ancient Greece or Africa or Europe or wherever, the pots that people had used in their homes were the ones that excited us.
Here is this ability to explore ideas, but with minute changes, and then look at the results. Often you get so excited about what you're doing that you think, "Oh, wow, this is just great." And you look at it a week later and you realize you'd been excited by the act of creation, but what you've created is not really exciting when you look at it in cold blood. And so that, to me, is a valuable lesson also.
I'm definitely excited by big ideas, both in what I write and what I read. Most days, reality is so mind-numbingly dull that I don't understand why someone would write strictly realistic stories, given the almost limitless freedom fiction provides. I don't see the point of making believe if you're not going to actually make believe: hang your ass out in the wind, push at every boundary, make almost unreasonable demands on your reader's willingness to suspend disbelief. This is dangerous, and prone to failure, but that's part of what makes it fun.
There's also a lot of stuff that's not really good that gets written so I say to people who are excited about writing for the first time that if you think you have it, go for it because there are people that achieve it and don't have it.
I'm such a huge fan of television and what's happening in television, right now. You are able to visit characters and visit a story, week to week, push things in a different way than you can in a film, and you are able to go deeper, simply because you have more time. I'm just excited to do that. It's always good to do new things.
I have kind of an existential crisis. I'm in my late 20s, I get excited by contemporary young culture, but at the same time, I don't want to be the 40-year-old DJ in the club.
There are so many different ways to make art. And so many good stories. You don't have to have a budget. I feel like it's super possible these days for people to make anything, no matter who you are or where you come from. And that's really exciting. I'm excited to see people around me pushing boundaries in that way, not letting certain structures define them or what art they can make.
I feel like my life is at its happiest when I don't have a looming deadline. There's some really groovy wonderful times, when I'm like, "I have a new piece, I'm excited about it, I'm reading all these books about it, but there's not a lot of time pressure, and I'm financially stable enough right now that I don't have to be trying to get another job." But that's so rare.
There is an interesting and new way to be excited about the fashion world today maybe. The traditional path of fashion as simple magazine images has dissolved - we are seeing new and innovative ways to share, create, and enjoy ideas. I am challenged to learn and explore paths of finding new photographers, stylists, and vision-makers online or through direct contact, connecting with ideas and creativity in new ways, and making images with different outlets. Sometimes more unbridled avenues and unconventional ways lead to things I wouldn't have thought of yet.
To be honest, I wasn't crazy about the kind of poetry I found in high school English books. I didn't get really excited about poetry until I discovered Lorca in college. If it wasn't for surrealism, I'm not sure I'd have become so involved in poetry. I was attracted by the extravagant imagery and elements of fantasy. This was in the '70s and it seemed to fit the psychedelic mood of the times. I found it liberating.
We encourage women to become mentors within their communities in order to teach young girls how to thrive in this society. It's a good thing, so, I'm excited about having the platform and this opportunity on My Black Is Beautiful show, because I love my folk.
I get excited when the people I work with scare me. I get excited when I'm surrounded by people who make me better and make me stay on my game and challenge me.
I was a gymnast my whole life. I mean, I'd go to Starbucks and people would be like, 'Are you going to the next Olympics?' And when I'd say no, they'd literally look sad. So it was very hard for me to get excited about anything else. I thought that I had to do gymnastics forever.
I see parallels between Karachi and the cities that I was familiar with: a very different place, but in terms of its human stories not really very different at all. That was what excited me about the place - that it was so complex, as difficult to me as an outsider and yet so human in a way that was ultimately very familiar.
The problem for me is that I just don't often come across material that speaks to me and my TV education. Before we all had DirectTV and Netflix and Amazon, there's literally 15 years where I saw nothing. Now, I get the pleasure of binge-watching, so now I feel like I'm much more in a TV state of mind, because I binge-watched so many incredible TV shows that now I'm actually a little bit more excited about working in the space.
I feel so excited for what's happening in fashion now in general because it's really inspiring for women to create a look and have fun with makeup again. I think it's intimidating sometimes when you go to a department store and you're like, " Oh my god I love those colors, but what do I do with them"?
You know what, I'm not ashamed of anything that happened. I fall in love really hard, I do. I go deep. That person is it for me. And I love hard, and when it's over, it's over, and some people make mistakes. I wouldn't call it a mistake, it just is what happened in my life, so I'm excited to see what the future holds. It happened, and now I have to say I'm happier than I've ever been.
I've been working in television for so long, since 2004, and I just worked nonstop throughout that time and I've learned so much. I've definitely done that 10,000 hours. I know the format really well and I feel comfortable in it. I'm excited about going into something I'm not so comfortable in, which is film.
I think everyone is pretty excited about me. I have a style that any fight fan would love. I am a real value-for-money fighter. People want to see me against the elite.
I think writers are excited by stupidity and bad behavior, generally.
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