Life is fluid, ever evolving. The more dynamic you are, the more happens in your life, all the time.
Like translation itself, Asymptote is a fluid web reaching out to all sides, bringing texts and readers together, through the most improbable and marvelous of connections.
The blackest of fluid is used as an agent to enlighten the world.
The Mormons make the marriage ring, like the ring of Saturn, fluid, not solid, and keep it in its place by numerous satellites.
If history in the making be a fluid thing, it swiftly crystallizes.
Envy may justly be called "the gall of bitterness and bond of iniquity;" it is the most acid fruit that grows on the stock of sin, a fluid so subtle that nothing but the fire of divine love can purge it from the soul.
Spanish and English have such different music, and in my own poetry I feel much less drawn to fluid sounds than I do toward the hard sounds and rhythms that come out of the Anglo-Saxon roots of English.
Pain is important: how we evade it, how we succumb to it, how we deal with it, how we transcend it. ... pain will always either change or stop. Always. ... The confidence that it will change is what makes bearing it possible. So pain is fluid. It is only when you conceive of it as something static that it is unbearable.
The beauty of word processing, God bless my word processor, is that it keeps the plotting very fluid. The prose becomes like a liquid that you can manipulate at will. In the old days, when I typed, every piece of typing paper was like cast in concrete.
When people are collecting gold they aren't doing business. ... Gold is constipation: even bankruptcy is more fluid. Gold isn't wealth: positions in markets are wealth.
Parents walk a fine line between discipline and grace - values have to hold even when circumstances change or call for compromise or compassion. It's the ultimate challenge to be both firm and fluid, soft and strong, yielding yet rock solid.
Since the boundary of the world of poetry is fluid, the language in it is also fluid. Hence, the language that is outside of the poetry world, namely the language that is not the language of poetry, cannot go into the poetry world.
So sometimes it is an outright manipulation like that, but most of the time I'm just, I'm creating a mood that is a place of comfort for the person and a way for our dialogue to be more fluid.
If two or more organs of the body are not squirting fluids, the story's no good!
A young child's brain has a thinner skull and the brain contains more fluid. The more fluid or fat in any material, the more it absorbs microwave radiation.
We suffer because we want life to be different from what it is. We suffer because we try to make pleasurable what is painful, to make solid what is fluid, to make permanent what is always changing.
If one story becomes too hot, then you can't forget it. As an actor, you want to remain fluid.
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