I'm not about hair and makeup.
In high school I would mess with my hair and makeup all the time.
I love when I go out and I have my hair and makeup done, but I also like it when I'm just with the family because that's real.
When I'm in New York, I have a wonderful hair and makeup team. We've just been laughing all day today. In work, I believe that you really need to choose people that you get along with because work is life, so you may as well enjoy your time. I'm lucky. I have great people around me, and we laugh all day.
I have my team. Like if you see everyone around me - I have my hair and makeup girl, my assistant. They're very calm, they're all about positive energy. There're no drama queens. Everyone wants everyone else to have a positive experience. There are no agendas. I think it creates a healthy environment and there are no boundaries to cross.
I remember so clearly, in the early days, if I had to do a piece of press, they'd phone for me and say, 'Oh, we're going to bring hair and makeup, it'll take about five hours.' And I said, 'Well, if it was Ian McEwan, would it take about five hours? Would there be hair and makeup? Cause if that's not the case, then don't bring the hair and makeup.' So, it's fascinating that they just assume: it's a young woman, she must want to be photographed for five hours. She must have nothing better to do than delight in trying on all your shoes. But it's not the case.
A normal modeling job consists of hair and makeup starting at 5:30 a.m. On location, we shoot until theres no light, then drive home. If were lucky, well have a hotel close to the location, which takes out the driving time. Otherwise, its pretty brutal, from airplane, to car, to job, and back again.
I just kind of opened up and said, 'I feel like a rag doll. I have hair and makeup people coming to my house every day and putting me in new, uncomfortable, weird dresses and expensive shoes, and I just shut down and raise my arms up for them to get the dress on, and pout my lips when they need to put the lipstick on.'
I'd have to say that, in general, models take themselves too seriously. Basically, they are genetic freaks who spend a couple of hours in hair and makeup.
What surprised me about directing is how much I loved it and how happy I am to be on the set. I love coming to work in the morning. What I realized is that I never loved acting. I don't love being in the hair and makeup chair. I don't [love] being in costume. To me the strangest thing is that I've just spent the majority of my life in one aspect of this business, and because I was fortunate enough to become successful I never questioned whether I felt at home and found out later in life that I'm much happier directing.
The idea of transformation is super-important to me. You can see it in the way I approach things. I have never been a clean-faced, freshly scrubbed hair person. I'm the New York designer who doesn't do that. I think about the hair and makeup almost as much as I think about the clothes because it all has to work.
I think women see me on the cover of magazines and think I never have a pimple or bags under my eyes. You have to realize that's after two hours of hair and makeup, plus retouching. Even I don't wake up looking like Cindy Crawford.
Nobody who cooks does it with full hair and makeup in front of a TV camera.
I'm not cut out to be a famous person; I can't do my hair and makeup well enough.
Voice-over stuff is so much fun because you don't have hair and makeup and wardrobe. You get to show up. And there were some talented people, and we don't even know them. And they're so gifted. They can do all these accents and voices. It's really fun to do that stuff. It's really like actor camp.
People know that I always do my hair and makeup, but I also love doing crafts. I love getting a blank canvas and painting something.
The skaters a lot of times do their own hair and makeup before they compete. That was always kind of a ritual...that calming, quiet time where you can just do your hair and makeup. And then I would always lace up my right skate before my left one.
I wanted Bow's hair and makeup and clothing to look like a woman who has four children, a career, and a full life. For example, she won't wear eyeshadow unless she's going out. Because it takes a lot of time to put eyeshadow on. She's a woman who has style, but it's all about functionality - she grabs stuff from her closet.
Remember I came to Albuquerque to do a hair and makeup test and wardrobe fitting; you guys were already shooting. It's tough when the movie's already started and you kind of show up. You're the new kid on the block. I walked onto the set and Tommy [Lee Jones] was about to do the scene. I just kind of walked up to him. I was shaking, but I just gave him this big hug and he just had nothing to say. He was like, 'Gotta go to work now.' I had a great time working with him."
Occasionally I like to have facials but I do think they rub too much stuff on your face. I don't really like having my hair and makeup done because it's a work thing.
A lot of my hair and makeup, and everything I pull for inspiration, is [drawn] from old photographs.
Cameron Diaz is probably my biggest beauty mentor of my friends. She knows how to do her own hair and makeup; she's really good at it.
My perfect Valentine's Day would be coming home to a giant box waiting for me, and it has a gorgeous dress and high-heeled shoes and a handbag. And someone's waiting to do my hair and makeup. You can tell I've been in too many romantic comedies.
I have the weirdest job. The hair and makeup people were talking the other day about how weird their job is. And costumes, they have to be in people's faces and have to reach in their skirts to pull their shirts down and stuff. I was like, "You guys, I meet someone, I shake their hand, and then I kiss them. And sober. During midday. For money."
I love having my hair and makeup done for red carpets, but to have that done every day would be exhausting.
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