I'm not about hair and makeup.
In high school I would mess with my hair and makeup all the time.
I have my team. Like if you see everyone around me - I have my hair and makeup girl, my assistant. They're very calm, they're all about positive energy. There're no drama queens. Everyone wants everyone else to have a positive experience. There are no agendas. I think it creates a healthy environment and there are no boundaries to cross.
I remember so clearly, in the early days, if I had to do a piece of press, they'd phone for me and say, 'Oh, we're going to bring hair and makeup, it'll take about five hours.' And I said, 'Well, if it was Ian McEwan, would it take about five hours? Would there be hair and makeup? Cause if that's not the case, then don't bring the hair and makeup.' So, it's fascinating that they just assume: it's a young woman, she must want to be photographed for five hours. She must have nothing better to do than delight in trying on all your shoes. But it's not the case.
A normal modeling job consists of hair and makeup starting at 5:30 a.m. On location, we shoot until theres no light, then drive home. If were lucky, well have a hotel close to the location, which takes out the driving time. Otherwise, its pretty brutal, from airplane, to car, to job, and back again.
I'd have to say that, in general, models take themselves too seriously. Basically, they are genetic freaks who spend a couple of hours in hair and makeup.
When I'm in New York, I have a wonderful hair and makeup team. We've just been laughing all day today. In work, I believe that you really need to choose people that you get along with because work is life, so you may as well enjoy your time. I'm lucky. I have great people around me, and we laugh all day.
I love when I go out and I have my hair and makeup done, but I also like it when I'm just with the family because that's real.
I just kind of opened up and said, 'I feel like a rag doll. I have hair and makeup people coming to my house every day and putting me in new, uncomfortable, weird dresses and expensive shoes, and I just shut down and raise my arms up for them to get the dress on, and pout my lips when they need to put the lipstick on.'
The idea of transformation is super-important to me. You can see it in the way I approach things. I have never been a clean-faced, freshly scrubbed hair person. I'm the New York designer who doesn't do that. I think about the hair and makeup almost as much as I think about the clothes because it all has to work.
What surprised me about directing is how much I loved it and how happy I am to be on the set. I love coming to work in the morning. What I realized is that I never loved acting. I don't love being in the hair and makeup chair. I don't [love] being in costume. To me the strangest thing is that I've just spent the majority of my life in one aspect of this business, and because I was fortunate enough to become successful I never questioned whether I felt at home and found out later in life that I'm much happier directing.
My bathroom is filled with hair and makeup stuff and I play with it all the time. What the real lesson is, is that you can own your own sense of beauty. It doesn't have to be something you get from somewhere else.
My advice to aspriring models is less is more, try not to do crazy hair and makeup, keep it simple but beautiful when you're trying to find an agency and get started.
The media create this wonderful illusion-but the amount of airbrushing that goes into those beauty magazines-the hours of hair and makeup! It's impossible to live up to, because it's not real.
I thought to be feminine was to give in to straight culture, or the beauty standard, but in my heart I had a flair for fashion and style. They were passions I kept secret because I didn't understand I could love clothes and hair and makeup and still like girls.
It's only because I feel like such a philistine spending all that time in hair and makeup that I started to knit. I used to spend that time studying Italian and French. Then after I had two kids, my brain turned to mush and I took up knitting.
There are no captions on red-carpet photos that say, 'This girl trained for two weeks, she went on a juice diet, she has a professional hair and makeup person, and this dress was made for her.' I just wish they'd say, 'It ain't the truth.'
You mean the fact that Tom Arnold would spend more time with the hair and makeup people than I would?
I go into work and get my hair and makeup done, go into wardrobe. I have to do three hours of school a day.
I went to go see 'Final Destination' which you have to be 17 and over to see and they're like 'Uh, we need to see your I.D.' Here's the really funny thing is that I actually had done my hair and makeup that day. If I don't do my hair and makeup I can understand it but I had actually made an effort to look older.
At home I wear my own clothes, no makeup and don't do anything exciting with my hair. I get to borrow pretty dresses for the red carpet, and have experts do my hair and makeup.
I had this roommate in college who would get up almost 2 hours before class to do hair and makeup. That's not for me.
This is a very superficial job. I sit in a chair for two hours and get hair and makeup done and talk about myself in interviews. That's a very vain thing to do. And I do get caught up in it sometimes.
I like to maintain a certain sense of fantasy. At home, do I have the full hair and makeup? No. But I might have the nice dress on.
I think there's a perception out there that people know me based on these glamorous photos they see of me in magazines, but I have about two hours of hair and makeup and then people to dress me, to make me look even better, in those pictures. There's really so much more to me than that.
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