I can't blame modern technology for my predilection for distraction, not after all the hours I've spent watching lost balloons disappear into the clouds. I did it before the Internet, and I'll do it after the apocalypse, assuming we still have helium and weak-gripped children.
You see, the chemists have a complicated way of counting: instead of saying "one, two, three, four, five protons", they say, "hydrogen, helium, lithium, beryllium, boron."
Finally I got to carbon, and as you all know, in the case of carbon the reaction works out beautifully. One goes through six reactions, and at the end one comes back to carbon. In the process one has made four hydrogen atoms into one of helium. The theory, of course, was not made on the railway train from Washington to Ithaca ... It didn't take very long, it took about six weeks, but not even the Trans-Siberian railroad [has] taken that long for its journey.
Any artist, in any field, wants to press deeper, to discover further. Image and sound play are among the strongest colors available to poetry's palette. For a long time, I've wanted to invite in more strangeness, more freedom of imagination. Yet music, seeing, and meaning are also cohering disciplines. They can be stretched, and that is part of poetry's helium pleasure. But not to the point of breaking.
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