My resting pulse as a writer is writing idealistically and romantically; aspirationally. My taste lies in quixotic heroes.
There's a lot of unrest. There are a lot of people who are unhappy. I don't want to say I'm their hero, but a lot of people have said that... It's like this in every job, I think. There's certain people who are afforded privileges and maybe, maybe don't deserve them.
I never tried to write for other people. I liked people who had problems I might have, because we all have insecurities, regrets. I like heroes who were not 100-percent perfect, who things to take care of.
a great moment raises most of the people who experience it, to its own level; and that is why they do not always recognize its greatness - or their own.
Protagonists are always loners, almost by definition.
We will never know the extent of the damage movies are doing to us, but movie art, it appears, thrives on moral chaos. When the country is paralyzed, the popular culture may tell us why. After innocence, winners become losers. Movies are probably inuring us to corruption; the sellout is the hero-survivor for our times.
It has been wisely said, "that well may thy guardian angel suffer thee to lose thy locks, when thou darest wilfully to lay thy head in the lap of temptation!" Was it not easier for the hero of Judaea to avoid the touch of the fair Philistine, than to elude her power when held in her arms?
[On gay ban in the military:] Heroism, I believe, is a trait that does not know race, color, creed, sex, or sexual orientation.
The hope of immortality makes heroes of cowards.
democracy produces both heroes and villains, but it differs from a fascist state in that it does not produce a hero who is a villain.
Most American heroes of the Revolutionary period are by now two men, the actual man and the romantic image. Some are even three men - the actual man, the image, and the debunked remains.
The call to adventure signifies that destiny has summoned the hero.
Rebels and dissidents challenge the complacent belief in a just world, and, as the theory would predict, they are usually denigrated for their efforts. While they are alive, they may be called 'cantankerous,' 'crazy,' 'hysterical,' 'uppity,' or 'duped.' Dead, some of them become saints and heroes, the sterling characters of history. It's a matter of proportion. One angry rebel is crazy, three is a conspiracy, 50 is a movement.
You are lucky in life if you have the right heroes. I advise all of you, to the extent you can, to pick out a few heroes
Without will, without individuals, there are no heroes. But neither are there villains. And the absence of villains is as prostrating, as soul-destroying, as the absence of heroes.
The best heroes in the world are the reluctant ones. Courage isn't fearlessness - it's acting in the face of fear.
People need heroes, in music and every aspect of life.
For me my biggest inspiration is trying to make music that effects me as much as the music made by my heroes.
We are all proud of is World War II where we went in, we were decisive, we came to the conclusion that freedom prevailed, and we were heroes.
Every party and every movement tends to need a hero.
How often do our heroes stand still? It's hard to imagine Spock and Kirk landing on a planet and just relaxing for a month or two. Just hanging out has nothing to do with boldly going where no one has gone before. What makes us different from every other creature is that we go places, places we've not gone before. We do it willingly, and often. What makes our work and our life interesting is discovery, surprise, and the risk of exploration.
To adopt the posture of the hero is the most unheroic of all acts.
Meditation is first quietness. We live in a great din. It is well to see (for who sees it not will have but narrow sympathies and understand little that occurs around him) that the noise is often a noble uproar, "deep calling unto deep," the clamor of wonderful machinery, of great labors, of human struggles, of heroes' voices. But storms, though grand, must sink if the sea is to show the stars.
Men who have sacrifice their well-being, and even their lives, for the cause of truth or the public good, are, from an empirical point of view - which scorn ("fait fi", Fr.) virtue and altruism - regarded as insane or fools; but, from a moral standpoint, they are heros who do honour ("qui honorent", Fr.) humanity.
Both villains and heroes need to have a steadfast belief in themselves.
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