How you act, walk, look and talk is all part of Hip Hop culture. And the music is colorless. Hip Hop music is made from Black, brown, yellow, red and white.
Hip-hop was started as a very egocentric, testosterone, machismo-driven art form. The way that people are trying to take away that masculinity that is a such an intrinsical part of hip-hop music.
Hip hop music is important precisely because it sheds light on contemporary politics, history, and race. At its best, hip hop gives voice to marginal black youth we are not used to hearing from on such topics.
Hip-hop music was something I grew up with, it was something that I loved since I was a little kid, and it's something that I chose to partake in an early age.
Pitbull is great with brands. Endorsements with hip-hop artists work because hip-hop artists typically set the most trends... It's every brand's goal to be seen in the mainstream, and hip-hop music has become mainstream music.
I never knew I wanted to become a ballerina. I was discovered at the age of 13. I had a love for movement even though I had no exposure to dance other than what I saw in music videos, like hip-hop music videos. But I knew that I loved moving.
I'm a fan of hip hop music, so I always used a hip hop element in my music anyway.
I'm not trying to change the face of hip-hop music. I'm trying to make my records and always take the next step for me.
I had gone to a talent show, I was interested in American hip-hop music, with my older brother, to another town and my town was attacked. I went from having an entire family to the next minute not having anything. It was very painful.
I love pop music just as much as I like rap music, or ill-ass hip-hop music, or rock music.
Salsa, classic rock, soul music, jazz... all of that was a part of my education in making hip-hop music.
New York has changed a whole lot. For worse I think because back when I was growing up in New York we were always the trendsetters. I don't care if it was from clothes to hip-hop music, to whatever. Right now New York is a bunch of followers. A lot of them are. It's really not the same.
I like hip-hop music, but some of the lyrics make me want to cry.
What I feel with the best of hip-hop music and with the best of what has been produced by hip-hop culture is that it's going to be timeless, and it's going to last.
When I started, I was 23 years old directing my own music videos; I'm co-producing on my album; I'm hands-on with everything. I'm more than just a pretty boy: I'm an artist. I'm not saying I'm a hip-hop music artist, I'm an artiste.
I was a hip-hop head. When I really found my own lane in music, it was hip-hop. I wanted to make hip-hop music. And I did, I made a lot of hip-hop music.
I've been writing songs and making music since I was probably ten years old...so my inspirations back then, I don't know - I guess it was something that was innate. I was really shaped to make hip-hop music and love hip hop.
I am so all over the place with my music taste, it's ridiculous. It is! I mean, I find myself listening to weird things like hardcore techno music and then I'll be listening to mainstream hip-hop music. But it's like I am so crazy with my music taste. I'll listen to a song, I'll become obsessed with it, and then I'm on to the next one. So it's just very inconsistent.
I'm actually a huge fan of hip-hop. I like hip-hop music. I love rap. I like cabaret music, as well. I just love live music and bands.
One thing I always loved about hip-hop music was the raw, boom-bap element - it felt powerful and manly.
Hip-hop music has done a very good job of maintaining the political context, where they stand and not giving a sh-t what people think.
I'm someone that examines culture and tries to break down why things are the way that they are whether its hip-hop music, sex, race, or consumerism. I try to examine it and scrutinize it to the point where I can write a song.
I can't really even name a person I like in hip-hop music.
I was listening to a lot of hip hop, music like Public Enemy that was about raising consciousness, and I realised I could feed that directly into my work, using images in a way that was a bit like sampling - taking images from diverse places, exploring the contradictions without trying to hide the seams.
I grew up in New York City in the '80s, and it was the epicenter of hip-hop. There was no Internet. Cable television wasn't as broad. I would listen to the radio, hear cars pass by playing a song, or tape songs off of the radio. At that time, there was such an excitement around hip-hop music.
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