I never would have guessed I would be making science fiction and horror films.
I had never really done something that was more of a horror film, and its funny, because those are the kind of movies that I like probably more than any other genre. The script had images in it that I liked.
My brother and I are huge fans of foreign horror. Some of the most interesting movies are coming from overseas. I guess if there was one change we'd like to see, it would be more original horror films made by the studio system and less of a reliance on remakes.
Horror films are art, it's all make believe. It's great if a filmmaker can try to push boundaries and see how much an audience can take and see what happens. It's fun to be able to do that.
What I love about watching classic horror films is that they take you on a ride and they obviously make you scared because you're so invested in the characters, you're almost forgetting that oh my God, this is about to scare me.
I find that usually when I watch something like horror film, I'm constantly thinking no, it's not going to happen.
I think when the joke comes from the situation in a horror film, it's really great. I don't like jokey horror films like where people are cracking a joke or being post-modern about it.
[I was] feeling like I'd done something horrible, "I'm a despicable person and I'm perverse," and all these things, to a sense of the power and the necessity, in a sense, of horror films and dealing with dark material.
I realized that I really, almost by accident, had fallen into a labyrinthine, very powerful paradigm for dealing with these things through genre films. And once I realized that and realized the power of it, and the fact that because horror films aren't, in general, studio products - studios back them sometimes, but they don't try to meddle too much, because they kind of don't want to sully their skirts - you have a lot of freedom.
There's more emphasis on art and culture in Europe than there is in the United States and I think that a lot of American directors and writers are just trying to copy other American horror films, they don't pick up much in the way that European filmmakers do.
When I started experimenting with fantasy and horror films and looking for characters who had some sort of emotional or mental difficulty, I saw opportunities to express my music - dare I say art - in a way that I could get a bit surreal.
As a kid, I couldn't articulate it but I sought out things that could. At first it was horror films - extreme panic and terror, grotesque and maniacal. These films calmed me and made me feel more connected in my experiences.
I like horror films and romance films. Films where you're going in being like, 'I'm coming here to be scared or to fall in love.' You have a goal.
I love horror films, so I guess it's one of those things where I find myself interested in the script.
That's when you know a horror film delivers - when you're walking out of the theater going 'Oh my God!' You can't get the images out of your mind.
Horror films have always been quite operatic for me. I always sort of scratch my head at people's offense to them. If you don't get them, and you don't like them, then don't watch them.
That's definitely true! It was before my father died, so I can't attribute it to an obsession with death. When I was seven, I loved those old Sherlock Holmes movies with Basil Rathbone. The Scarlet Claw was one of my faves. And I loved all the Halloween's and that film about the haunted house... Burnt Offerings, with Oliver Reed. Every birthday party was a slumber party and we'd watch horror films.
There are two different stories in horror: internal and external. In external horror films, the evil comes from the outside, the other tribe, this thing in the darkness that we don't understand. Internal is the human heart.
One could make money and get a career going with a low-budget horror film about killers attacking on holidays. It is always flattering to have somebody copy you.
I read a lot of ghost stories because I was writing a ghost story. I didn't think at all I was writing a horror or a thriller or whatever because it is about a ghost, whereas a horror film can be about aliens or things that rise out of the marsh that have no human shape.
It's just occurred to me that some horror films everybody laughs because they're so ridiculous and they're so frightening in a way, the filmmakers' are trying everything, that they just end up being funny.
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
I love horror films, but it's more than an adrenaline rush for me. I love them because I know they scare me. It's kind of like I go on roller coasters, but I'm terrified of roller coasters, sort of thing.
I want to have an ending where people say: "That's the most shocking ending I've ever seen in a mainstream horror film."
It's not that I'm not a horror fan, it's just that the horror scripts I've been sent have been rubbish and obvious. Because they usually are in horror films - it's just about scare factor. You're always one step ahead, you know who's going to die first, you know who's going to survive, you're going to get a jump every twenty minutes.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: