I've matured a lot as a pitcher. I understand what my strengths are. I've learned that I've got a great sinker, I get a lot of ground balls, and it's easy to get a ground-ball double play.
I see more now. As far as concepts, I know where teammates are going, linemen are going. I can read defensive fronts. I can read the body language of linebackers. I study film to see who's a bull rusher and who's a finesse rusher. I think I've learned.
The biggest thing I've learned is location.
I've learned so much, so very much about myself in defeat. I've learned very little to nothing in victory.
I've kind of learned this about Joss Whedon. Never say never. I've learned that. I also have another rule about Joss Whedon. Never say no. Just... whatever Joss Whedon wants to do, just do it.
Thanks to my son, I've learned to laugh at myself. Laughter has been my saving grace.
I've learned a lot about the limits of what I can do, as an artist, or what I'm willing to do. It's a lot of responsibility to carry a show and to speak to people on different levels.
I've learned to keep my work on the stage or on the screen.
A little-recognized value of listening and inquiring relates to the realization that in human relationships, it is frequently not what the I've learned ... that it is best to give advice in only two circumstances: when it is requested and when it is a life-threatening situation.
I don't consider myself a great actress. I'm just trying to stay alive, actually. I think I'm good, and I've learned a lot, certainly, mostly in the theater. I've been sloughed off movies for years. But what can you do? That's life.
I've learned mainly by reading myself. So I don't think I have any original ideas. Certainly, I talk about reading Graham. I've read Phil Fisher. So I've gotten a lot of my ideas from reading. You can learn a lot from other people. In fact, I think if you learn basically from other people, you don't have to get too many new ideas on your own. You can just apply the best of what you see.
I've had lots of good career advice over the years. I've learned that you must always arrive knowing your lines, you must hit your marks, you must be punctual and cheerful and kind. I'm always irritated with young people who misbehave and young actors who are temperamental. I don't think there's any need for it.
I think I work as hard as I do now, because of a lot of lessons I've learned early on.
I've learned so much from just being in film industry. I definitely want to stay in front of the camera and learn more from as many people as I can. Somewhere down the line, writing, directing and producing would be fantastic.
People vastly overestimate the ability of central planners to improve on the independent action of diverse individuals. What I've learned watching regulators is that they almost always make things worse. If regulators did nothing, the self-correcting mechanisms of the market would mitigate most problems with more finesse. And less cost.
You can't really compare people. That's one of the biggest lessons I've learned, because comparing yourself to someone else really stops you from being who you are.
Most people fear pain. I've learned that not feeling pain is a much more frightening proposition than feeling it. In fact, there are times when I'm playing when I actually enjoy it.
I've learned that in the theater the story is everything. Every lyric, every line and every musical gesture has to propel the journey of a given character or the overall plot.
I've learned over the years that the writing is smarter and far larger than the writer and his or her own desires for it.
I try to build the things so that they're fairly indestructible. I've learned from my mistakes and some of those units, even if human life disappears from the planet, will still be recognizable a thousand years from now abandoned somewhere in the woods.
What I've learned during my life is that the near future is 90% identical to the present - if you buy a new car today, it'll probably still be on the road in 2022.
Writers block: when I get it, it's because my subconscious spotted that I'd make a huge structural mistake in constructing a novel before my conscious mind became aware of it, and threw on the brakes. So I've learned not to sweat it: take two days off, then back up a chapter, read through, and try to work out why I'm suddenly uneasy about continuing.
I come from a family and a heritage where you don't really go to therapy unless you're crazy. I want people to know that that's so not the case. It's enriching, and I've learned this new tool.
I've been able to tour because of my music and I've learned a lot about myself while on the road. I think some of the imagery of my writing are snapshots of where I've been and my feelings about the world.
So it became in my mind a nine-carol service; an oratorio and orchestral concert all in one, but with narration. That's something I've learned about, because it's the story that keeps you in there. I wrote a libretto and I gave it to John Du Prez. We normally don't work in this fashion but I said off you go, and he went off for about three months. He brought me back this demo which blew my mind.
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