From where the sun now stands I will fight no more.
I have never been to India and I am not a specialist on Indian culture, and I would not wish to be heard to be taking swipes at a culture which I've never experienced and where I've never lived.
It is not my behavior to either wear minimum clothes, to band or to even be comfortable with a sex-symbol label. I just want to do fine work instead of sporting such meaningless tags. Sex sells, but to a small extent, not always. And this is what filmmakers have to accept. The exposure has to be significant to the film and its characters and not forced for the sake of titillation. On the contrary, some of the greatest Indian films have been devoid of all these sexual trappings. I know my comfort zone in today's Indian culture and society.
When people stop some film from being shot or burn a book, it's not just that they are saying, this is against Indian culture. They are also saying, you Westernized, elite, English-speaking people are having too much of a good time. It's a very interesting phenomenon.
Hear me, my chiefs! I am tired. My heart is sick and sad. From where the sun now stands, I will fight no more forever.
I grew up in East Flatbush in Brooklyn which was an intense neighbourhood filled with different West Indian cultures.
My childhood was pretty colorful; I like to use the word turbulent. But it was a great time to grow up, the '70s and '80s in Brooklyn, East Flatbush. It was culturally diverse: You had Italian culture, American culture, the Caribbean West Indian culture, the Hasidic Jewish culture. Everything was kind of like right there in your face. A lot of violence, you know, especially toward the '80s the neighborhood got really violent, but it made me who I am, it made me strong.
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