I wouldn't have become an engineer, I wouldn't have done what I did, had a hand not been held out to me. I have to remember who helped me when I needed help. The people of Jamaica helped me. I can't forget that. I would be ungrateful if I forgot.
Countries like Jamaica do not have a random program, so they can go months without being tested. I'm not saying anyone is on anything, but everyone needs to be on a level playing field.
At Harvard, I got to meet and have dinner with Jamaica Kincaid. Just to have conversations with professors was absolutely amazing.
I went back to Jamaica after living in New York and started to work on experimental stuff and basically I grew as a filmmaker. I went to film school; I was a PA on a lot of projects and I worked so hard, you know, you're young and I learned from different mentors. And luck put me in the position to work with amazing people. One of my mentors by the name of Little X, who took me under his wing after I came out of film school and moved to New York. I worked in videos for Jay-Z, Pharrell to Busta Rhymes and Wyclef. I quickly realized how much I wanted to make films instead of music videos.
Being a military child, we moved a lot and we developed different vernaculars from moving from the south, to the Midwest, and seeing the world. Going from New York to California and from Jamaica Queens to the South, I was always the new kid, or had the army crew haircut. I expected people to pick up on me. My brother kinda stole all of my old jokes. He got his inspiration from me.
I write songs on a universal basis. I was born out of the earth of Jamaica which I consider to be a part of Atlantis, the sunk continent, but that's my thing. But I write songs on a universal basis, not like Jamaican songs.
Growing up in Jamaica, the Pentecostal church wasn't that fiery thing you might think. It was very British, very proper. Hymns. No dancing. Very quiet. Very fundamental.
I love running in nature. I don't like running on the streets, I don't like running in the city, I don't like running on the concrete. I love running in nature, so Jamaica provides a lot of that for me.
I never did feel any pressure in Jamaica. You just someone, not nobody big.
I've been in Africa, America, moving around a lot. It's helped me to open up my mind. I was born in Jamaica; I've lived all my life there and got all I could from Jamaica. But I needed to be somewhere else to grow.
I started DJing soundclashes. I used to go to Jamaica a lot. I was like a hip-hop sound boy, where I took the dancehall culture and mixed it up with the hip-hop as well. I kept going, going, and I got real hot in the streets of Miami - you know, doing pirate radio - then ended up doing 99 Jamz, the big station out there.
I'm a spiritual man and I've always felt connected to Rastafari. I'm not a Rastafarian but I've got so much respect for the lifestyle and religion, and I'm so thankful I was able to meet some of the most influential Rastafarians during my Jamaica trip. They taught me so much and really helped me evolve into who I am today.
In hindsight I can see that my love for the arts began by watching my father and his colleagues perform on stage in Jamaica, and running a muck among the exhibits of fabulous Jamaican art at the National Gallery while mum was upstairs curating.
The 70's was a great time for artistic expression in Jamaica and I was in the heart of it, unconsciously soaking it up and paving my future.
I'm proud to have opened [two] schools in Africa and one in Jamaica [through the Serena Williams Fund and its partners]. I was given a lot. I was given two parents. That's already starting above a lot of kids. And then I was given the opportunity to play tennis and parents who supported that. I feel I can give back.
One of the things we're trying to do more of is not just take money from corporate partnerships, but get more involved in the business side for when I retire. So Puma are going to make me an ambassador for life. I have a clothing line coming out. I am investing a lot in housing in Jamaica, buildings for rent.
I live between Jamaica and Paris.
Just getting back to the essence. Even the record I put out, "1 of 1," I went to Jamaica and shot that video and I'm singing in the song - that was different for me.
Jamaica is one of the most musically influential nations in the world. Throughout the entire globe, there are pockets that are constantly in touch with what goes on in the dancehall community, from Germany to Japan, to different parts of Africa like Ghana.
Jamaica is an island that is filled with so much culture.
Jamaica is so musical, diverse and so extreme, from people singing in the streets to dancing.
[Kingston, Jamaica] is the city, it's not a beautiful beach. But at the same time when I go to Jamaica, that's the only place I want to go. It's where the culture is its richest. Or if you have the opportunity, you can go to the North Coast and go to Montego Bay. That's where you get the beauty of the miles of beaches and beautiful resorts.
I actually had nuggets and mostly Asian food when I was at the Olympics. But as soon as I got back to Jamaica, or when I was in London, I had a lot of wings. That was the first thing I asked for - "Hey, get me some wings."
Why couldn't there be even a western slasher, or why couldn't there be a serial killer in a kind of pirate buccaneer Caribbean, just someone that's just doing terrible, terrible things in the ports, the sexy ports of Jamaica during the Pirate Renaissance.
I mean, Manhattan is cool. But weird parts, I like that. Jamaica, Queens, that's great.
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