Journalism has been very important for me - for a long time I made my living as a journalist, and it also serves as a source of ideas. Many of the things I have written I would not have written without the experience of being a journalist.
I was working as a journalist for an Israeli paper in Paris, and my salary at the highest was fifty dollars a month. At the end of the month I always had palpitations; I didn't know how to pay my rent. Even after the war, I was often hungry. But that's part of the romantic condition of a student. To be a student in Paris and not be hungry is wrong.
As I've gotten older, I've realized that things are a lot more permeable. It's not so black and white: not every journalist is a jerk.
Lawyers tend to be bright people. They tend to be-much more than many journalists I've encountered-sticklers for detail and accuracy, and they have a logical way of arguing.
I know loads of coppers and dealt with them a lot when I was a journalist - coppers are easy to write for; they tend to run on rails.
The ethic of the journalist is to recognize one's prejudices, biases, and avoid getting them into print.
There's that old cliché which has a lot of basis in truth, that all music journalists are failed rock stars. They all harbour the inner feeling they should be up under the spotlight and the microphone is there for them.
I hate to speak for the whole society, but I will. I'm a journalist, it's my job. There's been something of a reaction against political correctness. Needless to say, the government hasn't caught up yet.
John Dorschner, one of our staff writers here at Tropic magazine at The Miami Herald, who is a good friend of mine and an excellent journalist, but a raving liberal, wrote a story about a group that periodically pops up saying that they're going to start their own country or start their own planet or go back to their original planet, or whatever. They were going to "create a libertarian society" on a floating platform in the Caribbean somewhere. I know there's never going to be a country on a floating anything, but if they want to talk about it, that's great.
If you read the book, you're not a journalist. You're some impostor! No journalist actually does any work.
It's good for a writer to come from journalism because it gives you the tools. A journalist knows that he or she can lose the reader in six lines, so try to keep the attention of the reader. Also, you learn to research, and to conduct an interview - to extract from the person whatever you need from that person.
Individual storytelling is incredibly powerful. We as journalists know intuitively what scientists of the brain are discovering through brain scans, which is that emotional stories tend to open the portals, and that once there's a connection made, people are more open to rational arguments.
In a sense, journalism can be both helpful and detrimental to a writer of fiction because the kind of writing you need to do as a journalist is so different. It has to be clear, unambiguous, concise, and as a writer often you are trying to do things that are more ambiguous. I find that writing fiction is often an antidote to reading and writing too much journalism.
I am really inspired by writers, and weirdly - respect music journalists, which I think makes me the exception amongst most musicians. I think it's a craft. I think it's been really neglected - sadly. I think about the days of the great legendary rock critics. Who's going to become that when magazines and newspapers don't pay anyone properly or don't seem to respect the history or research that is required?
Every interview is as much an impression of the journalist as it is the artist or subject. You look at interviews and you see a portrait of two people. The worst thing that can happen is if you're misquoted and then that quote is misquoted. That does drive one crazy. The most embarrassing thing is when your words are misrepresented or sometimes you say something stupid and you live to regret it.
The problem with reality TV is that creative writers are not involved; TV folks are, and some journalists who will only mine the surface of subjects. Hard work necessary for discovering and delineating the intimacies of the subjects they capture is mostly avoided.
As a graphic artist, my job on a local paper was creating the advertising as well as working as a journalist on sports and community issues. There are many more jobs I've done in my day, I can't remember them all.
I am responsible for the team and a journalist should be responsible for his article.
There are journalists I share a whole history with, so I tend to be generous to these guys, but those days are over.
I didn't go to university. They offered me a job as a junior reporter and I went off to work for the Southern Reporter. They sent me to college to do my NCTJ, which is a professional exam for journalists, and I started work as a print journalist purely because I was just a pest. They couldn't think of anything other than giving me a job to stop me hanging around.
I worked very hard as a young journalist learning the trade and asking questions, understanding what a story is and being able to present that in a way that people would find interesting.
Whether you work in news, sport, politics, whatever, it's exactly the same; a story is a story, is a story. I consider myself first and foremost a journalist.
I don't know if other people have found it difficult relating to me, certainly that's not the feedback I've had. I don't think of myself particularly as a woman working in sport. I think of myself as a broadcaster, a journalist, and the right person for the job, regardless of whether I happen to be female or male.
I think because I came from a very strong news background and people were aware of me from that side of things, they appreciated me as a journalist. Maybe it was less difficult for me.
The tragedy of my job [journalist] is that I rarely get to go where I want to go. I have to go where the job takes me.
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