Juliet!' I whip around but not quickly enough. She's swallowed by the crowd, the gap that allowed her to break for the door closing just as quickly as it opened, a shifting Tetris pattern of bodies.
Yeah? Okay," she said, staring up into the stars. "Let's see. You know how, at the end of Romeo and Juliet, Juliet wakes up in the crypt and Romeo's already dead? He thought she was dead so he killed himself right next to her?" "Yeah. That was awesome." A pause, followed by "Ow," suggested elbow punctuation on the part of Mik. Karou ignored it. "Well, imagine if she woke up and he was still alive, but..." She swallowed, waiting out a tremor in her voice. "But he had killed her whole family. And burned her city. And killed and enslaved her people.
Ophelia was bonkers, right? And Juliet was what, a sixth-grader?
Romeo wants Juliet as the filings want the magnet; and if no obstacles intervene he moves towards her by as straight a line as they. But Romeo and Juliet, if a wall be built between them, do not remain idiotically pressing their faces against its opposite sides like the magnet and the filings with the card. Romeo soon finds a circuitous way, by scaling the wall or otherwise, of touching Juliet's lips directly. With the filings the path is fixed; whether it reaches the end depends on accidents. With the lover it is the end which is fixed, the path may be modified indefinitely.
Writing fiction is an inherently political activity because people-even imaginary ones-do not live in vacuums... From Twilight to Romeo and Juliet to The Little Mermaid, no work of the imagination is truly apolitical, because the world and our hopes for it are always part of our stories.
The preliminaries were out of the way, the creative process was about to begin. The creative process, that mystic life force, that splurge out of which has come the Venus de Milo, the Mona Lisa, the Fantasie Impromptu, the Bayeux tapestries, Romeo and Juliet, the windows of Chartres Cathedral, Paradise Lost - and a pulp murder story by Dan Moody. The process is the same in all; if the results are a little uneven, that doesn't invalidate the basic similarity of origin.
People often argue about this. Obviously one of the skills in performance is acting, and you can't expect every Romeo to really be in love with their Juliet!
And I just think that to introduce an unknown Shakespeare is thrilling, too - not to do Hamlet or Romeo and Juliet, to do the richer Shakespeare. People will come to this and not know the story.
Flowers are the Romeos and the Juliets of the nature!
Baz [Luhrmann] paid me one of the greatest compliments ever. I don't know him, really, but when I first met him I was congratulating him on ROMEO + JULIET - which I think is a wonderful adaptation - and he said, "Oh, well we couldn't have done it without your RICHARD III, which was an inspiration!" I've never quite checked up on the dates to see whether or if, in fact, we did our film before he did his.
It was my life, playing Juliet. From that moment on I was convinced I was going to be an actress. That was all I really wanted to do.
I remember watching Romeo + Juliet when I was 14 and listening to the soundtrack. When I hear that soundtrack now, all those emotions come back. It's really beautiful when you're at a certain point in your life where most of the adventure lies ahead of you. And it's a sad thing when you feel like you've lost that. But you can get it back.
But we did see the process develop. I remember going to the Rocket Pictures base and they had something like 40 people there, drawing. They didn't know what the characters looked like yet and I remember on the walls seeing 30 or 40 different versions of Juliet. So, it was then that I realised that someone's got to come in and make some really executive decisions.
I like to do variations of all kinds of different work. One of my roles in Israel was for the theatre - Romeo & Juliet. So from that role I went to - I was playing, I believe her name was Amanda in the U.S., on "Ugly Betty."
I loved the Romeo and Juliet of the whole thing; this forbidden love between these two characters.
I was on set [Romeo + Juliet] maybe an hour for two days. It was in this big cathedral in Mexico City. I just remember being up there in the balcony, and it was myself up front and there was a choir behind me. In front of me was this rail, like this cement rail, and I was like, "Oh my gosh!" Because I was a kid then, and I'm like, "We're kinda high ... I hope I don't flip over," because I'm very clumsy.
But there is no sole person for another's heart. Souls cannot be broken and then completed by another. That's not healthy, nor wise. There are infinite possibilities as there are infinite people and some matches are better than others...Just don't say that you'll die without the other one or that you'll never love again or that you're not whole-That's the stuff of Romeo and Juliet, hasty nonsense, and you know how well that turned out...Just don't be desperate about it. That's where souls go wrong, when they think they don't have choices. The heart must make choices.
With Romeo and Juliet, you're talking about two people who meet one night, and get married the same night. I believe in love at first sight-but it hasn't happened to me yet.
I take the subway all the time here in New York. I love people watching and trying to figure out everybody's background, especially teenagers - they're so uninhibited when they display puppy love. I concoct stories in my mind: 'Are you guys like Romeo and Juliet?'
Can he love her? Can the soul really be satisfied with such polite affections? To love is to burn - to be on fire, like Juliet or Guinevere or Eloise.
It is not realistic, maybe ... but art doesn't have to be realistic. Romeo and Juliet is not realistic, but it is true... it shows the essence of falling in love.
He knew her now. She was the weird girl in the class above him, who dyed her hair pink and always wore a lot of pentragrams and crystals. Right now she was also wearing giant chandelier earings and a violent pink T-Shirt that bore the words ROMEO AND JULIET WOULDN'T HAVE LASTED.
Romeo, of dead, should be cut up into little stars to make the heavens fine. Life, with this pair, has no other aim, asks no more,than Juliet,--than Romeo.
The theme of the dance was "Great Romances," or some such nonsense. There were projections of supposedly great couples from the past on the walls of the gym. Romeo and Juliet, Antony and Cleopatra, Hermione and Ron, Bonnie and Clyde, etc.
Hannakins: I know you guys are living out your own private Romeo and Juliet love story, but remember: Both of them die in Act V. -A
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