The leaf was darkish, and had prickles on it, But in another country, as he said, Bore a bright golden flow'r, but not in this soil; Unknown, and like esteem'd, and the dull swain Treads on it daily with his clouted shoon.
There are three types of biomimicry - one is copying form and shape, another is copying a process, like photosynthesis in a leaf, and the third is mimicking at an ecosystem's level, like building a nature-inspired city.
True delicacy, that most beautiful heart-leaf of humanity, exhibits itself most significantly in little things.
In every change, in every falling leaf there is some pain, some beauty. And that's the way new leaves grow.
There's always the possibility that you're going to come across a record that transforms your life. And it happens weekly. It's like a leaf on the stream. There are little currents and eddies and sticks lying in the water that nudge you in a slightly different direction. And then you break loose and carry on down the current. There's nothing that actually stops you and lifts you out of the water and puts you on the bank but there are diversions and distractions and alarums and excursions which is what makes life interesting really. It's fantastic.
Advocacy of leaf protein as a human food is based on the undisputed fact that forage crops (such as lucerne) give a greater yield of protein than other types of crops. Even with conventional food crops there is more protein in the leafy parts than in the seeds or tubs that are usually harvested.
In constructing concepts, we overlook the fact that no two things are the same. There is no such thing as the concept of a leaf, only billions and billions of leaves.
A painting or sculpture not modelled on any real object is every bit as concrete and sensuous as a leaf or a stone... but it is an incomplete art which privileges the intellect to the detriment of the senses.
That headlong ivy! not a leaf will grow But thinking of a wreath, . . . I like such ivy; bold to leap a height 'Twas strong to climb! as good to grow on graves As twist about a thyrsus; pretty too (And that's not ill) when twisted round a comb.
I wish I were the lily's leaf To fade upon that bosom warm, Content to wither, pale and brief, The trophy of thy paler form.
Which is worse, past or future? Neither. I will fold up my mind like a leaf and drift on this stream over the brink.
Were floods of tears to be unloosed In tribute to my grief, The doves of Noah ne'er had roost Nor found an olive-leaf.
Fly away, pretty moth, to the shade Of the leaf where you slumbered all day; Be content with the moon and the stars, pretty moth, And make use of your wings while you may. . . . . But tho' dreams of delight may have dazzled you quite, They at last found it dangerous play; Many things in this world that look bright, pretty moth, Only dazzle to lead us astray.
O maternal earth which rocks the fallen leaf to sleep!
Painting, for me, when it really 'happens,' is as miraculous as any natural phenomenon - as say, a lettuce leaf. By 'happens,' I mean the painting in which the inner aspect of man and his outer aspects interlock.
That which interests me above all else is the calligraphy of a tree or the tiles of a roof, and I mean leaf by leaf, branch by branch, blade by blade of grass.
On me, on me Time and change can heap no more! The painful past with blighting grief Hath left my heart a withered leaf. Time and change can do no more.
Food from the platter / Water from the rain / The subject and the matter / I'm going home again / Can't sell a leaf to a tree / Nor the wind to the atmosphere / I know where I am meant to be / And I can't be satisfied here
Every new party, every new bunch of people, and I start thinking that maybe this is my chance.That I'm going to be normal this time. A new leaf. A fresh start. But then I find myself at the party, thinking, Oh, yeah. This again.
I'm thinking of writing a children's story about a leaf on a tree who arrogantly insists he's a self-made, independent leaf. Then one day a fierce wind blows him off his branch and to the ground below. As his life slowly ebbs away, he looks up at the magnificent old tree that had been his home and realizes that he had never been on his own. His entire life he had been part of something bigger and more beautiful than anything he could have imagined. In a blinding flash, he awakens from the delusion of self. Then an arrogant, self-centered kid rakes him up and bags him.
Blessed influence of one true loving human soul on another! Not calculable by algebra, not deducible by logic, but mysterious, effectual, mighty as the hidden process by which the tiny seed is quickened, and bursts forth into tall stem and broad leaf, and glowing tasseled flower.
Lips are no part of the head, only made for a double-leaf door for the mouth.
Love won't be tampered with, love won't go away. Push it to one side and it creeps to the other. Throw it in the garbage and it springs up clean. Try to root it out and it only flourishes. Love is a weed, a dandelion that you poison from your heart. The taproots wait. The seeds blow off, ticklish, into a part of the yard you didn't spray. And one day, though you worked, though you prodded out each spiky leaf, you lift your eyes and dozens of fat golden faces bob in the grass.
Literature, properly so called, draws its sap from the deep soil of human nature's common and everlasting sympathies, the gathered leaf-mound of countless generations, and not from any top dressing capriciously scattered over the surface.
Pity is for this life, pity is the worm inside the meat, pity is the meat, pity is the shaking pencil, pity is the shaking voice-- not enough money, not enough love--pity for all of us--it is our grace, walking down the ramp or on the moving sidewalk, sitting in a chair, reading the paper, pity, turning a leaf to the light, arranging a thorn.
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