It takes creativity at every stage to make the discontinuous leap from one level of knowledge to the next. These discontinuous leaps of understanding lead to insights that in turn lead to value creation.
To see, one must go beyond the imiagination and for that one must stand absolutely still as though at the center of a leap.
Worried about a skin condition? Leap smartly into a bath of porridge.
It's a culture shock to go from obscurity to notoriety in a flash. Its more to it than talent and money; its pressure, stress, enemies, critics; you have to develop relationships and a team. There are all of these things that go along with taking a leap and following your dreams.
Once we link up and network, there will be new institutions, new beginnings, and a change in the economy because capitalism is destroying many people's lives. It's just one leap to think in a different way.
In a corporate context, companies have to try very hard to oppose the enticements of conventional wisdom. They must aim for the leaps, which means that companies have to do more than simply manage their knowledge, which is composed of the insights and understandings they already know. They also have to manage the knowledge-generation process. It's not just about, "Oh, we're going to create a data warehouse and we are going to invent a computerized filing system to get at all the stuff we know."
I feel that there is an alternate ending that leaps off too far into fantasy and there is an alternate ending that leaps off too far into pessimism, but that, in fact, the novel as it has developed should, if it's functioning correctly, have equipped you as the reader to make your own decision about where you want to go with that, about where you're going to fall on that continuum. So, the novel is taking you directly up to the point that you have to choose, and it's letting you do that.
I want as many people to see the show [Hamilton] in its musical theater form as possible before it's translated, and whether it's a good act of translation or a bad act of translation, it's a leap, and very few stage shows manage the leap successfully.
When [Jimmy] Carter did quote them, he quoted them in what I believe were misapplications, such as arguing for the creation of a federal Department of Education. In one case, Carter quoted [Tomas] Jefferson's and [George] Washington's appreciation of education and then, in a leap, implied that they would be delighted that he was creating a giant federal bureaucracy for education.
If God made the natural laws, why could he not violate them when it was a particularly significant moment for him to do so? And if you accept the idea that Christ was also divine, which I do, then his Resurrection is not in itself a great logical leap.
I remember when we were doing "Batman Begins" and to watch Chris Nolan go from "Memento" to "Batman" and take that leap from such a smaller size to a big movie, that's inspiring. But those movies are their own type of art and you have to really understand it and really know that world and I would have to take a long time to figure that out.Because my brain doesn't naturally go there.
[Søren ] Kierkegaard said it for me a long time ago. He said, `You can't really think yourself into a faith, into a religion. It's something you have to make a leap into faith.' And I've never been able to do that. I wish I could. Then maybe I could believe in an afterlife.
It is our duty to make a leap into the future, and I believe that we will make it.
[My work] just develops and develops, and I'm very nicely served by the universe: just as I'm ready to take the conversation further with myself, some other individual pops up, like David McKenzie did, with this idea of making this film [Teknolust], and provides exactly the leap to the next adventure.
It's commonly assumed that the emergence of language was a key element of the great leap. We of course know very little about the sociopolitical conditions that existed at the time, but there's no scenario I can think of that suggests how a sudden change in these conditions could have led to the emergence of language.
This [terrorists attacks on 9/11] was part of nothing. It was a leap into another realm - the realm of crazy abstractions and mythological generalities, involving people who have hijacked Islam for their own purposes. It's important not to fall into that trap and to try to respond with a metaphysical retaliation of some sort.
Men are enforced into a kind of silence about their gender; they're supposed to not think of it as a performance. That's the definition of manliness - that it's not a performance; it's being yourself, authentic. Whereas women have understood gender as performance. Men have not yet made that quantum leap, or rather they're making it in many ways, they're not thinking about it.
It is Chairman Mao who should be held primarily responsible for the Great Leap Forward. But it didn't take him long - just a few months - to recognize his mistake, and he did so before the rest of us and proposed corrections. And in 1962, when because of some other factors those corrections had not been fully carried out, he made a self-criticism. But the lessons were not fully drawn, and as a result the "Cultural Revolution" erupted.
The art has to have a life of its own and not merely illustrate. I've always felt a great illustration can make a good poem even better. That's the advantage I have in illustrating my own work - I have the freedom to leap far from the poem.
You're taking big risks doing comedy, because ultimately, you're trying to be funny. If you're not funny, you look like an idiot. You have to be prepared to look like an idiot, so you need to have confidence in the man at the helm of it all. You have to take a massive leap of faith and be daring and bold with your choices. It always makes for better work I think.
My films are about faith, and they're made on faith. There has to be faith because making a movie, so many things can go wrong. Me and my crew take the leap together, trusting the net will appear. I've been fortunate even though I've worked with small budgets, people have donated time and talent because they feel the films have something important to say.
Thomas Berry calls the Ecozoic Era, a time when we recognize the imperative of caring for the planet as a means of compassionate survival. We do not know what the outcome is going to be, but we have an opportunity to make these kinds of creative and imaginative leaps of thought and actions both locally and globally. This is completely antithetical to the direction George W. Bush is leading this nation. I do trust that the open space of democracy is ultimately the open space of our hearts and that we can follow our own leadership that carries a long-term view way beyond "four more years."
I made multiple leaps where there were no guarantees that I was going to be successful. By the way, I was not always successful. But I think if you go into something new with an open mind, and you let people around you know what you don't know, for the most part they're going to link arms with you. So you can't plan a career so closely that you never make a move unless you know that it's going to work. There's always going to be risk involved in change.
People without financial knowledge, who take advice from financial experts are like lemmings simply following their leader. They race for the cliff and leap into the ocean of financial uncertainty, hoping to swim to the other side.
Dance with a girl three times, and if you like the light of her eye and the tone of voice with which she, breathless, answers your little questions about horseflesh and music about affairs masculine and feminine, then take the leap in the dark.
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