My art is representational by choice....if the art of painting is to survive, it must describe and express people, their lives and times. It must communicate.
It's fair to say that black folks operate under a cloud of invisibility - this too is part of the work, is indeed central to [my photographs]... This invisibility - this erasure out of the complex history of our life and time - is the greatest source of my longing.
The process of schooling does not give birth to human beings - as education should but never will so long as it springs from the collective consciousness of our culture - but instead it teaches us to value abstract rewards at the expense of our autonomy, curiosity, interior lives, and time.
We don't have a caucus, because we differ on so many views. Some of us are pro-choice, some are not. We'll take the issue of drilling, for example: Lisa Murkowski would want to drill in ANWAR, Maria Cantwell, Barbara Boxer, and most of us would say no, and so we don't. But we get together once a month for dinner, and we have three rules: no memos, no staff, and no leaks; and we get together for friendship. In fact, we're having a dinner tonight. We just have drinks and talk about life and times.
Ever since I was a teenager, I was always kind of, like, checking myself. You know, like, "Come on man, don't get your head all swollen. Life and time itself will give you perspective on what you're doing." So, that's actually what's always been a reminder in my own head.
This [Thelonious Monk: The Life And Times Of An American Original] is another one of those books with the perfect blend of anecdote and analysis. The analysis is built into the anecdote. It has that right feel about it. It's not too scholarly, either.
We patronize the animals for their incompleteness, for their tragic fate of having taken form so far below ourselves. And therein we err, and greatly err. For the animal shall not be measured by man. In a world older and more complete than ours, they are more finished and complete, gifted with extensions of the senses we have lost or never attained, living by voices we shall never hear. They are not brethren, they are not underlings; they are other Nations, caught with ourselves in the net of life and time.
Never say never Never is a long, undependable time, and life is too full of rich possibilities to have restrictions placed upon it.
Myths are about the human struggle to deal with the great passages of time and life--birth, death, marriage, the transitions from childhood to adulthood to old age. They meet a need in the psychological or spiritual nature of humans that has absolutely nothing to do with science. To try to turn a myth into a science, or a science into a myth, is an insult to myths, an insult to religion, and an insult to science. In attempting to do this, creationists have missed the significance, meaning, and sublime nature of myths. They took a beautiful story of creation and re-creation and ruined it.
Wolves are not our brothers; they are not our subordinates, either. They are another nation, caught up just like us in the complex web of time and life.
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