I'm interested in creating a space through color contrasts, rather than by simple shadows of light and dark.
Resistance to revelation, resistance to becoming conscious of all that dwells within us - high and low, light and dark - is the anti-change factor. It is also the mainspring of all our psychological fears.
I don't personally see my work as being dark. What interests me is a balance between light and dark.
I think 'Breaking Bad' is brilliant. Good drama in the U.S. is also so funny and blurs the line between light and dark.
Our deepest fear is that we are powerful beyond measure.
Light thinks it travels faster than anything but it is wrong. No matter how fast light travels, it finds the darkness has always got there first, and is waiting for it.
There is light. There is darkness. There is high and there is low. But in the world now it seems to me this struggle between light and darkness is more evident than ever.
The whole basis of working in black and white and grays became the basis of my understanding of color, because it's all about tone, it's all about light and dark. If you don't get that, then your color work is going to be a mess. So that's the beginning of the toolkit: drawing and black and white media.
The whole switch from film to digital has changed some of the ways I use color and the juxtaposition of light and dark. It's getting better with digital, the separation's gotten better, but I still feel like it's really flatter than film, so I do a lot of screening and subtle textural printing and painting on clothes for film to get it not to look flat.
I'm pretty excited for people to listen to the story of each song. It's definitely like a giant book with different stories in it. They are all very child-like but also a balance between light and dark.
The wildwood is everywhere. It's inside us. It's outside us. And, of course, if you happen to be near any of the more ancient forests, not just in Europe; then, you are in touch with the source itself. But for me, it's about journeying into an inner landscape that is deeply embedded within us. We have a wild nature that most of us have forgotten, but it's there. And it's both light and dark. There are ancient atavistic things that need to be approached with care. But even these, if faced up to, can bring blessings.
There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are "like" someone in love sounds right.
I make videos which are works of art in themselves which have nothing to do with Hollywood movies or anything along those lines and I like videos because they deal with light and dark and time and change and they're just another kind of medium that I can get into and work with when I choose to other than, say, doing something on the wall or a window.
We were born to make manifest the glory of God within us.
Because love stands above Darkness and Light.Because love is not sex or a shared faith, or "the joint maintenance of a household and the upbringing of children."Because love is also Power.And Light and Darkness, people and Others, morality and law, the Ten Commandments and the Great Treaty have damn all to do with it.
In the beginning, we're told, was the word. Every once in a while someone shows up on the planet who is word-obsessed and word-gifted; and the light and darkness get named again. In our day, that someone is Buechner.
The eye doesn't see any shapes, it sees only what is differentiated through light and dark or through colors.
Essentially, in photography, I think on two levels: one emotional and the other technical. The emotional impact has to do with looking for something dramatic happening in the photograph, something that reaches out and touches somebody in some way. And the technical is having to do with composition and framing - light and dark, light and shadow.
Our generation is wonderful generation, full of wonder. It's very hard to find an example of it in all our history. Composed of contradictions — light and darkness mixed.
There is nothing enlightened about shrinking so that other people will not feel insecure around you. We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It is not just in some of us; it is in everyone and as we let our own light shine, we unconsciously give others permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.
There's light and joy, but there's also darkness all around and we can be lost in it.
That was the thing: Once, the difference between light and dark had been basic. One was good, one bad. Suddenly, though, things weren’t so clear. The dark was still a mystery, something hidden, something to be scared of, but I’d come to fear the light, too. It was where everything was revealed, or seemed to be. Eyes closed, I saw only the blackness, reminding me of this one thing, the most deep of my secrets; eyes open, there was only the world that didn’t know it, bright, inescapable, and somehow, still there.
Just as ecstasy purifies you of the particular and the contingent, leaving nothing except light and darkness, so insomnia kills off the multiplicity and diversity of the world, leaving you prey to your private obsessions.
Peace and negativity cannot coexist just as light and darkness cannot coexist.
If I could change anything about Garden State, it would be to cast somebody else for the female lead. Natalie just isn't really that good of an actress. Especially when compared to me. Just watch the two of us, it's light and dark. I am by far the better Jew.
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