When you're making an album with people who made your favorite records as a rebellious teenager, it feels like you've achieved something.
I think there's an energy about just remaining excited. Like, you can't be excited when you're not doing something new.
And these [pharmaceutical] companies are still threatening to sue. And it's like, you know, do you not have a conscience? Do you not want the world to be a better place? You're still making a profit. How much more of a profit do you want to make?
I like to go play shows just to see people, so I'm not in the game of like, "You're at my show, you're gonna listen to it like this, blah blah blah."
I am generalizing, of course, but in hip-hop, it's like you get this shine for using the word "pussy" a billion times, and I think that that's weirdly healthier than not doing it at all - even though I really hope it ends soon because, you know, how many decades can we do that?
I don't think I was bullied. If I was bullied, I fought back or turned the other cheek. I have been put in a box, I guess: "Oh you're blonde, you can't play brunette." And I'm always like: "You know what? I'm going to prove you wrong, I'm going to make my hair brown."
Success looks like you sitting here pretty confident that an armed brigade isn't going to come pouring in here and blow your head off. Which I don't think is your major concern. Therefore, the United States' foreign policy is successful.
I never imagined I'd meet Berry Gordy who told me when he first heard me sing, "You know, your singing's okay, but I like your harmonica playing better."
Some of the best records are the ones that really affect you the most - they're pure emotion and energy, and it's like you're in that person's brain. It's pretty cool.
You always feel like your 18-year-old self in some sense. And that's what walking through New York on a June evening feels like - you feel like it's Friday and you're 17 years old.
I came to understand that people come and see you because they like you. They don't come to throw things at you.
I feel like you can't just have fashion for fashion's sake.
There's nothing better than having an experience now that's the exact same thing I would've done when I was 16, like texting a really awkward "I like you" message to someone. The way you phrase it might change, but it will always continue to happen, and there's something really charming and calming about that.
Matthew Vaughn phoned me up and he said, "Hey, listen, the movie has just done gangbusters. We've got to do the second one." And I was like, "Matthew, I have no second book. Dave and I haven't done it," and he's like, "You're kidding!" He said, "This movie's just made $420 million!" I was like, "...We've got nothing." So the amazing thing was, because we own the rights, we still get paid and everything, which is fantastic.
I like putting common expressions next to uncommon expressions. I'm sure in Poetry 101 there is a name for it, but it seems like you usually go one way or the other in rock music.
Just like you could dump oil into the Cuyahoga in the 60s and let someone else foot the bill, today you can pump CO2 into the atmosphere and let the whole world foot the bill.
I think when you're young and you get together with a group of guys who think like you and you start to make something that moves you as a group of people and you have a common goal, that's an exciting time.
I don't know if it was related to the type of music that we were doing at that time or what, but Todd Cook actually just turned to me and was like, "You know what would be a great name for a metal band? Dead Child." We talked half-jokingly that we were going to do a band. I guess as time went on, I started writing songs that were more metal sounding, and it just evolved from there. It actually started with the name first, and then the songs came second.
Sometimes you can have a reputation for not being relatable and nice because you had a bad day once. That's the thing. You know, I think that's particularly pertinent with Justin [Bieber] because, like, you just forget how young he is.
People should quit their jobs, move to Oklahoma, move in with 34 people, pay $100 a month in rent and start a band or start painting. That way you'll feel like you have a purpose if you lose your mind, and you'll have some fun on the way.
At best doing art you feel like you're led by something that doesn't involve you.
Sometimes when you're on tour, it feels like you're living the same day over and over again.
The first thing you have to do is understand what success looks like. And to understand what success looks like you have to understand the intent. If you understand that intent is to make sure the sea lines are secure, then suddenly bombing Kosovo makes sense, because you don't want Serbia to reemerge as a major power.
There was actually a camera on your face. I don't know so much about the animation process but the camera was in our face so it could get expressions from our faces that would eventually arrive on the gnomes. It almost felt like you were cheating at times because it was a wee bit too much fun. You were in that box on your own. Kelly [Asbury] was in Toronto, I was in LA, so I was just on my own. I thought: "I can't be getting paid for this as well!"
I think that for example as a prisoner of course I was pressured to become very submissive and in a way the syndrome of Stockholm is when you shift position and then you become like you're supposed to act, which is accepting the authority of those who have abducted you.
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