I'm as excited as a kid with a new toy to be able to create a unique, exciting, urban superhero for a magazine that I respect as much as VIBE.
The red library is Sui's tribute to fashion maven Diana Vreeland, who served as editor for Harper's Bazaar (1939-1962) and Vogue (1963-1961). My most precious collection is my bound Vogue magazines, .. and they're kind of like my Bible. I look at them all the time when I'm trying to inspire myself for a collection.
There is no regional art. The only region left is the art magazine.
When you determine to risk a battle, reserve to yourself every possible chance of success, more particularly if you have to deal with an adversary of superior talent, for if you are beaten, even in the midst of your magazines and your communications, woe to the vanquished!
There should be relentless exposure of and attack upon every evil practice, whether in politics, in business, or in social life. I hail as a benefactor every writer or speaker, every man who, on the platform, or in book, magazine or newspaper, with merciless severity makes such attack, provided always that he in his turn remembers that the attack is of use only if it is absolutely truthful.
As an emerging photojournalist in the early 70s, my focus was on trying to create stories for magazines to the exclusion of almost everything else. I wish someone had told me then that the most personally important pictures you’ll ever make are those about you and your life. I’m glad I had the chance to work for some great magazines, but I really miss those little everyday images, the ones that take place in and around your own life, which will never make the news. Don’t sell yourself short: photograph your own life, not just everyone else’s.
Never the less, at the age of fifteen, having never seen a writer, a poet, a publisher or a magazine editor, and having only the vaguest ideas of procedure, I began working on the profession I had chosen.
I wish I could have a little tape-and-loudspeaker arrangement sewn into the binding of this magazine, to be triggered off by the light reflected from the reader's eyes on to this part of the page, and set to bawl out at several bels: MORE WILL MEAN WORSE.
Our cover has always been really important. For those of you who haven’t seen itCharles Burns, who is a graphic artist, does four portraits, so it’s split into quadrants and there’s four heads, basically—portraits of people. We’ve actually often thought and freaked out, what if something happened to Charles Burns? Because he’s so identified with the cover of our magazine, I don’t know what we would do if anything happened to Charles Burns.
There are many things in life that you feel you need such as television, magazines, teachers telling that you have to make money and be successful, but if you have some kind of hope, something to hold onto, then all this will no longer be important. If you can make your next day better than the previous one, then you will see what it really means something to you and not everything that people think you need for your life.
Our society on a whole is trained to see young women. There are proportionally far more of them on magazine covers, on TV, and in films than int the actual population. As a result, we have a citizenry taught to see the young and ignore the not-so-young. It isn’t conscious; it’s Pavlovian. (13)
Horror hostess, bondage goddess, Charles Addams cartoon comes to life, Vampire was every first-generation fanboy's wet dream. Scott Poole takes us on an unforgettable ride through the overlapping underworlds of B&D magazines, Hollywood noir, and early political liberation movements that inspired actress Maila Nurmi to challenge a postwar culture bent on stifling women's choices, bodies, and desires. This book is a subversive masterpiece.
It's a pretty blokey magazine [Bacon Busters, 'Australia's only magazine dedicated to pig hunting'], but they have women in it too. There's a 'Boars and Babes' section: women in bikinis sitting on big old pigs.
I still feel needles in my back when I think about all the horrible disasters that would have befallen me if I had permanently moved to San Francisco and rented a big house, joined the company dole, become national-affairs editor for some upstart magazinethat was the plan around 1967. But that would have meant going to work on a regular basis, like nine to five, with an officeI had to pull out.
It just kills me when these girls look at magazines and wish they could look like that. I try to tell them, 'Nobody looks like that. Everything's airbrushed.'
If you looked in magazines ... you never see me in those out-on-the-town pages. I'm either at home playing with the kids or I'm working.
The result of a public that has a very high consumption rate and turnover rate is people listen to more music but spend less time with individual bits of music. It's made me more likely to put things up quickly and treat it more like a magazine instead of a novel.
A lot of times, magazines end up presenting me as some type of weirdo, but I make my music for everyday people.
I like to be surrounded by books. My wife Evelyn has a PhD in comparative literature so we have a lot of her Spanish and German literature books which are wasted on me, plus a lot of novels and books on art and architecture shared by us both. Evelyn used to edit an art magazine called FMR, so we have a common interest in design.
I see myself on the cover of a magazine and I don't think that it looks like me at all. My first-ever photo shoot was for the cover of a lads' magazine.
Young artists must pave their way to Art by drawing pictures for magazine stories that young authors write to pave their way to Literature.
Fashion is not style. Nay, we can say more: Fashion is instead of style. Style is an idiom springing spontaneously from the personality but deliberately maintained. If you have no personality, you may be able to save your face and, possibly, your entire anatomy by following the current fashion, but all we shall know about you, when we see you coming down the street, is that you had enough money to buy a glossy magazine and were sufficiently cunning to work out the cut of the garments shown therein.
Some of Mr. Gregory's poems have merely appeared in The New Yorker ; others are New Yorker poems: the inclusive topicality, the informed and casual smartness, the flat fashionable irony, meaningless because it proceeds from a frame of reference whose amorphous superiority is the most definite thing about it they are the trademark not simply of a magazine but of a class.
With the greatest of respect, I have watched Apple from the day it started. I was publishing magazines about the Apple II before most people had ever heard what a personal computer was.
Painters and sculptors under the Nazis often depicted the nude, but they were forbidden to show any bodily imperfections. Their nudes look like pictures in physique magazines: pinups which are both sanctimoniously asexual and (in a technical sense) pornographic, for they have the perfection of a fantasy.
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