Simply because we were licked a hundred years before we started is no reason for us not to try to win.
It's not necessary to tell all you know. It's not ladylike -- in the second place, folks don't like to have someone around knowin' more than they do. It aggravates them. Your not gonna change any of them by talkin' right, they've got to want to learn themselves, and when they don't want to learn there's nothing you can do but keep your mouth shut or talk their language.
There are some men in this world who are born to do our unpleasant jobs for us. Your father's one of them.
Summer, and he watches his children's heart break. Autumn again and Boo's children needed him. Atticus was right. One time he said you never really know a man until you stand in his shoes and walk around in them. Just standing on the Radley porch was enough.
Miss Jean Louise, stand up. Your father's passin'.
Atticus, he was real nice." "Most people are, Scout, when you finally see them.
It was times like these when I thought my father, who hated guns and had never been to any wars, was the bravest man who ever lived.
The one thing that doesn't abide by majority rule is a person's conscience.
I think there's just one kind of folks. Folks.
I've been writing as long as I've been able to form words. I never wrote with an idea of publishing anything until I began working on '[To Kill a] Mockingbird'. I think that what went before may have been a rather subconscious form of learning how to write, of training myself.
This time we aren't fighting the Yankees, we're fighting our friends. But remember this, no matter how bitter things get, they're still our friends and this is still our home.
The one place where a man ought to get a square deal is in a courtroom, be he any color of the rainbow, but people have a way of carrying their resentments right into a jury box.
I would come, many years later, to understand why To Kill A Mockingbird is considered an important novel, but when I first read it at 11, I was simply absorbed by the way it evoked the mysteries of childhood, of treasures discovered in trees, and games played with an exotic summer friend.
Naturally, you don't sit down in "white hot inspiration" and write with a burning flame in front of you. But since I knew I could never be happy being anything but a writer, and Mockingbird put itself together for me so accommodatingly, I kept at it because I knew it had to be my first novel, for better or for worse.
I think I'll be a clown when I get grown.... There ain't one thing in this world I can do about folks except laugh, so I'm gonna join the circus and laugh my head off.
I don't think I'll ever lose the feeling that I had when I read 'To Kill a Mockingbird' - Harper Lee was going back into her childhood. I grew up in a real small town - Lee's was in the South, mine the Northwest - but small towns have a lot in common. There was such a revelation in knowing that a story could be told like that.
Men, unlike mockingbirds, have the capacity for systematic self-delusion. We echo each other with equal precision, equal eloquence, equal assurance.
I lived an idyllic 'Huckleberry Finn' life in a tiny town. Climbing trees. Tagging after brothers. Happy. Barefoot on my pony. It was 'To Kill a Mockingbird'-esque.
I would say what was always on her[Harper Lee] mind was the stories she had to tell, and the story was pretty obvious in "To Kill A Mockingbird," maybe a bit - little bit less obvious and more obscure in "Go Set A Watchman."
Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had.
People in their right minds never take pride in their talents.
As a matter of fact, I constantly tell audiences all over the world that the single greatest icon of American culture from the publication of "To Kill A Mockingbird" was that novel so that if we say, what conversation can we have that would lead us on a road of tolerance, and teachers have decided that if you're going to teach values in a school in America, the answer that American teachers at all kinds of schools have come up with, just let Harper Lee teach "To Kill A Mockingbird." And then all the teacher has to do is stand back and guide the discussion.
Things are always better in the morning.
The copies of The Catcher In The Rye or To Kill A Mockingbird that I own look like they were printed yesterday, and there's not a nick, not a blur, there's not any fading on the jacket at all, because they were taken and protected. A limited edition, by nature, is limited, and also probably more protected because of that. I'd rather have a first trade edition than a special one of 25 that was made years later, even if it's signed by the author. The trade edition is the Holy Grail.
Boo was our neighbor. He gave us two soap dolls, a broken watch and chain, a pair of good-luck pennies, and our lives.
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