If I stop today at a protest and I read a speech, it is a speech that remains in that moment, and whoever captures it does, and whoever doesn't, doesn't, and just keeps walking. It is very sterile, and it can seem even inaccessible and boring for a community.
The racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time. I understand that there are moments they disassociate, but in the end they are things that go walking together practically all the time.
I think the idea of being on stage and playing for people, and being able to inject a little bit of joy into their lives is a really exciting concept for me. That's definitely why I make music. It's never been for any kind of materialistic reasons, so that thought of being able to be up on stage, and being able to give something to someone in a moment of need for them - that gets me up in the morning; that really excites me.
Just try to keep the heart turned outward, as well as having moments inward. I think the threat of an industry like this is that you can become sort of self-obsessed. There's so much praise being given to you - there's a real threat of exalting the ego.
There are moments when things just break apart and not really for very valid reasons, either. But they just change your life and make you go in different directions.
The moment you say, "We are proud. I'm proud to be this, and I'm proud to be that," what you're saying is we're almost as good as the others. "Almost" always means not quite.
It's one of those things that hits you when you're not even looking for it. It's a moment when you find those words surging through your mind - "I feel so alive right now." There's varying degrees of it. Acting definitely makes me feel so remarkably alive. Sitting on a beach or walking through nature makes me come alive always.
MTV Awards are fun - it's MTV! You never know what's going to happen. It's a slice of pop culture in the moment, and you can't take it too seriously.
Literature especially has an interesting relationship to photography - to observation, to description, to fiction: taking something that you see and elaborating, jamming, and I think, staging.... taking that moment of observation and letting it go, giving it some wings, following it, rather than nailing it. You're riffing off of reality.
I think the biggest, saddest thing that happens in our lives is that we just don't embrace the things that could make it better because they don't seem to make it better at any given moment or we can't decide how to get across the aisle to that person.
There are so many causes. Gun control, climate change, deforestation, animal welfare, human welfare, education. Working on the big issues is noble and great, but being aware of what’s going on around you right at this moment, being kind to the people around you, extending compassion and decency, not just to everyone you meet but also to yourself—I think that’s one of the biggest challenges most people face.
In polite society, there is such a thing as sensitivity to some issues, as time has gone on. There was a time when we weren't politically correct, at all, and we all wince at moments when we look to the past and see that. I don't really know what the answer is, as far as that is concerned. However, me, as an artist, I don't really think about it, at all. It actually is not my job to think about that, especially in terms of me, as a writer, but also as a filmmaker. I'm not worried about the filmmaking part because, if I'm writing it, that's what I'm going to do.
That's the dream scenario: when people approach these stressful situations not focused on that concrete outcome but just focused on being there and being themselves and enjoying connecting with people. You're not going to be present all the time, but if you can figure out how to connect with yourself and bring that self forth in those moments, you will probably be feeling a lot better over time, and it's likely that even though you're not focused on the outcome, the outcomes will be better.
My favorite moments are when the bass falls in the pocket with the drums, the guitar is on top just slicing it, and the melody is scraping across like a sidewinder shattering through the monitor. It's just, ahhh, I love it! That's the jones, the hit, the buzz right there. It gets me off.
David O. Russell's best films are thrilling high wire acts that run the moment to moment risk of tumbling to the ground. In his latest, "Joy," Russell has more trouble than usual keeping his balance on the wire.
For me, love is very non-academic. Love, it’s a very physical thing. I don’t mean physical in terms of - I mean, it can be sexual. But those moments when I’m aware of the fact that I love someone or love something, it really manifests physically.
It is always a most delightful moment for me when people contact me via mail or approach me at game fairs and thank me for the many enjoyable hours I have brought them with my games.
A man does not measure its height in moments of comfort, but in terms of change and controversy
There are two things that really move me: music and acting. And I'm not talking about my music or watching myself as an actor, but listening to other people's music and watching other actors. There are so many different songs that have moved me. It all depends upon the mood that I'm in at that moment.
I was raised with a ton of brothers and sisters where, obviously, the music running in and out of the house was very eclectic. So, I had a lot under my belt by the time I grew up. It all depends upon the mood that I'm in, the space that I'm in and what I'm feeling at that moment. But definitely!
I also see an undercurrent - and perhaps the Indigo Children are another aspect of this â€" that's moving in the right direction that I thought was really predominant during the last 35 years since I started Noetics. So we do see quite a few people bucking the tides. At the moment, however, the political system, in my opinion, is going in the wrong direction.
My earliest musical memory was getting to watch my dad play drums in a local band. He's a banker by trade, but a drummer at heart. I remember seeing the guitar player do the solo from "Werewolves of London" with his teeth, and that was the moment that had me hooked.
I don't know about one moment that has pivoted my career. I do know that one thing that hit me and made me take a few steps back was a year at Steamboat.
When you get just that right audience and just that right sound on stage and you can just sit back and kinda just let it happen and it's not really any work. I love those moments. Nothing can beat that for me.
Where you are in life is exactly where you are supposed to be as a result of the things you have done up until that moment in time. To do anything else but accept your current situation would be crazy. The real thing to do is decide where you want to go, use both consistency and patience to get there and enjoy the ride. It is, after all, the path you have chosen in life.
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