You don't share the things you're forced to share [on a movie set].
A writer doesn't really have much of a function on a movie set.
When you go on a movie set, there used to be one woman: script supervisor. Now they were in all capacities in addition to heading studios. So that's the biggest change of all from the early '50s, when I first started.
If I'm not writing a poem to decompress from my experiences on a movie set, I usually just cook and it's like meditative. Especially since I'm at the stage now where I don't really use measuring cups. Kind of instinctual, I just kind of prepare my own dishes as I go along.
There is a greater a sense of pride - like when we did Kill the Messenger - and that was probably one of my more fun experiences on a movie set. Having everyone there on the same team, it just feels really great.
You see a lot of sides of people on a movie set because it can be really taxing and to kind of go through all that together - you really get to know someone.
I love going back in time, and the only time you can really do that is on a movie set.
I'm a professional at what I do. I'm an actor. I've been on enough movie sets to know the difference between a stage light and an apple box. I know the difference. Why? Because I've been around it long enough and I know.
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