Deciding what is to be sung and what is not to be sung is really what writing a musical is about.
As a composer I could never find use for over 4 or 5 notes in any musical number, and as a playwright most of my plays have two acts because i couldn't think of an idea for the third act.
I don't know if this is a good thing to say, but the musical obsession has almost shifted to a creative obsession now.
I found it easy to produce. I'm not the musical guy. I can't read and play music like that, but put some drums and a sample in front of me and I can whip it up nice, and I'll work out some keys and find some interesting instruments to put under it.
People are always going to have favorite albums or songs and you know that's more the listener's personal bias than basing it on anything musical or actual. I'm the same way as a listener.
A good analogy [Charlie Hebdo] in lots of ways is "South Park" - the hugely popular American cartoon show - and the things that the "South Park" creators have created, like "The Book Of Mormon," the Broadway musical. If I were a devout Mormon, I would be offended by a lot of things that go on in "The Book Of Mormon," right? It mocks mercilessly the pretensions to truth of Mormonism and the pretensions to virtue of Mormon missionaries.
I learned that when you do the best job that you can do, some people will idolize you, others won't care, and some will vilify you. I believe it is important to remain humble and thankful for the blessings in our lives, for the tremendous opportunities that are a result of our musical success.
Sadly, as a songwriter you sooner or later finish developing your musical understanding.
Always drawn to the theatric, Bowie also performed in stage productions of "The Elephant Man" and just recently collaborated on "Lazarus," an off-Broadway musical that's a sequel to his 1976 role in the film "The Man Who Fell To Earth."
In any regime there is always something that one should agree with, and in Shades there are quite a few notions that, on the face of it, seem like a good thing - the strict adherence to good manners, the fact that learning a musical instrument is compulsory, as is dancing, performing musicals and an hour's Useful Work every day in order to properly discharge your duty to society. But a cage is still a cage, irrespective of the nature of its bars.
The word "down," is very musical. It just always comes.
Most of the EDM tracks right now are not very musical, they have one note that keeps playing. You really don't need to be a musician to do records like this, so I think me playing guitar for so many years and listening to rock 'n' roll and real music helps me when I work with vocalists like Lana Del Ray and Miley Cyrus.
It's definitely about the rhythm of the words and how they sound together, writing one sentence and then another and another and cutting something immediately if it doesn't feel true. I come from a family of musicians and - while I have no musical abilities of my own - I think I inherited a good ear.
Follow your musical instincts. Do what you feel is right. Don't be relegated to a certain category.
Every part of every song can have a totally different musical sound, because otherwise if I wanted to go from a verse of one song to the chorus of another, I'd have to go: "Uh, okay, press that pedal and then... press that pedal, and then press that pedal off."
David Bowie is the quintessential English gentleman and, of course, a musical and generational institution. I only played support for him for one night (not a whole tour) but he was incredibly gracious and generous toward me and I've certainly never forgotten it.
I realized I was not a great musical technician, if I was going to make anything interesting it would have to come from the creative side of me and not the craft side of me.
People get bored of hearing the same genre of music over and over again. Observe the current musical landscape and predict what "mood" people will be in next. Ask yourself what would be the most natural transition or reaction to the current genre. Then create it!
Live concerts were to train the ears and to introduce, constantly, new musical ideas to the audience so the next time they showed up or the next record they would be ready and receptive.
Every word that I say, every song that I sing, and literally every move that I make [ in Chicaho musical] has much purpose.
So Nemerov showed us this picture, which is of Apollo flaying Marcius. You don't think of Apollo as being the sort of person who would skin someone alive. But the story behind it was that there was this guy who was a really great musician, and all the women loved him, and people started saying he was the best musician in the world, so Apollo got jealous and he challenged this guy to a musical dual. They would each play a song and the muses would judge who was the better musician.
Music is so incredible, the most healing force in the world along with love of course which all things are created and essentially are. I want to make films that can equal the energy experience of music, the experience of a record that sends your soul to heaven; a film can do this. I've seen films get in this area. Hopefully I've made some; I don't know but I want to make them like this, with the power of musical energy,that's one of my soul-goals for I am in awe of this love called music which I participate in everyday.
For me, music was always a second language. I didn't have a musical background, and I started studying very late, at fourteen.
I'm constantly discovering things. Like Bobby Bland. Right now I suppose I'm into the Eighties, which turned out to be a great musical period.
Loving the process. I learn it over and again and in different ways. I'm speaking particularly to the musical process, but I definitely think that this lesson transcends. Loving the life process. Loving the process of becoming stronger by experiencing something that makes me feel unsteady. The process of speaking and living my truth and making my own path.
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