I think it took us nine years to get one million subscribers to AOL, and then in the next nine years we went from one million to 35 million.
What the world is like from a nine-year-old's point of view? My memory is that nothing is explained to you, you've got to try to figure it out, pick up clues from the people around you, try to figure it out from their reactions.
But once I saw them [Jackson 5 during audition], I rushed out with my video camera to start taping them because I knew that they were something so special, mainly because of the lead singer, nine-year-old Michael Jackson. And it was just so obvious to me that he was a star.
I love Britain, I lived there for nine years doing shows and things, but I don't know what a British sensibility is. I'd like to have someone tell me what an American sensibility is.
My father died at 42, of a heart attack. My mother was 32 then. She never wanted to be a victim. And that really resonated as a nine-year-old child. And one of the most revealing things was, very soon after my father died - he was in real estate and he owned some modest buildings - they came to my mother, the men that worked for him, and they said, "You don't have to worry. We will run the business and we will take care of you." And my mother said, "No, you won't. You will teach me how to run the business and I will take care of it and my children."
... Nine-year-old boys usually turn ten at some point. It's the nineteen-year-olds who have difficulty turning twenty.
The great enemy of creativity is fear. When we're fearful, we freeze up - like a nine-year-old who won't draw pictures, for fear everybody will laugh. Creativity has a lot to do with a willingness to take risks. Think about how children play. They run around the playground, they trip, they fall, they get up and run some more. They believe everything will be all right. They feel capable; they let go. Good businesspeople behave in a similar way: they lose $15 million, gain $20 million, lose $30 million and earn it back. If that isn't playing, I don't know what is!
Since I spent eighteen years of my life as a child, and nine years of that life as a pretty sexually active gay child, my complaint against the current attitudes is that they work mightily to silence the voices of children first and secondarily ignore what adults have to say who have been through these situations. One size fits all is never the way to handle any situation with a human dimension. Many, many children-and I was one of them-are desperate to establish some sort of sexual relation with an older and even adult figure.
It's important to keep your creative muscle strong and working. My most inspiring method though is just sitting down with an acoustic guitar and coming up with melodies. It's what I've been doing nice I was nine years old.
With the adult ones, I feel I need to get as deep inside the psychology of a character as I can, and that needs to be first-person. In the children's books, I feel I need some distance. I don't want to be the nine-year-old at the center of the story. I need to have some type of narrative voice.
My mother - my stepmother, really, she herself have been what they call an elocutionist. And she was the one who first encouraged me to write poetry, because she used to read it to us. And then when I began to write when I was nine years old, my first poem was published in the Amsterdam News. I called it "The Graveyard."
That happened when I was a freshman in high school. The guy reading it [the Bible] was dating my older sister. I thought he was the cutest thing that had ever happened in Nashville. He was nine years older than me and I thought, 'Mimi, I hate to do this to you, but I'm going to steal this guy away.' So I went to this Bible study thinking I was going to make this guy fall in love with me. I was fourteen. Hey, you know. But I was so overwhelmed by what they were talking about at this Bible study. I became a very serious, committed Christian.
In my very first interview, at nine years old, I said I wanted to be an Olympic gold medalist. That was the first time I said it out loud in front of somebody other than my parents.
Very specifically, Nickelodeon is aimed at eight- and nine-year-olds.
I was a bartender at a Pizzeria Uno's for nine years. The people I worked with were amazing, but it was quite possibly the most miserable time of my life.
I have on the one hand a hatred and on the other a yearning for Vienna. I left when I was nine years old because I was Jewish. And even before 1938, the anti-Semitism in Austria was probably deeper than it was in Germany or in other European countries.
I have been doing this since I was nine years old. So whatever the role is, I am going to do the best I can do. The only thing I am concerned with is stepping on the stage in front of that camera and giving the best performance I know I can give, day in and day out as an actor.
Give a man secure possession of a bleak rock, and he will turn it into a garden; give him nine years' lease of a garden, and he will convert it into a desert.
I was nine-years-old when I first put on skates.
It was in the year 1820, when I was nearly nine years old, that I first went to a regular school.
I've been car crazy my whole life, since I was nine years old. It's just something I'm very aware of.
Many people I know - writers, poets - they have all been sentenced not once but sometimes three times after they come out. They serve five or six years, come out another time, and then nine years. Come out again, 12 years. Only because they have a different opinion. They are innocent people, they have beautiful minds, beautiful hearts.
Having been a journalist for thirty-nine years, I've developed a pretty thick skin.
The average development time for a Hollywood movie is nine years. Nine years for a studio film. And a lot of what you do is abstract.
I had worked in this New York theatre company for my first eight or nine years out of college, acting and directing there, and I'd begun to write a little bit.
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