I wanted to make a more Romanesque film that told a story over a long period of time - this one spans 45 years. I had a great desire to make another musical, but this time I wanted to be more ambitious.
I do my films the best as I can, period. I always hope that, gradually, my honest work will reach Americans.
You can see areas where maybe you got a bit lazy, perhaps, or you see when you were really on form. I think an actor is very like a sportsman in that respect. You have periods where you're in terrific form.
What bothers me is when music becomes entertainment. Of course, music is supposed to be entertaining, but go back to any period of time - music had a cultural significance on different levels, whether it was folk music, it was the news of the village, or it had to do with the rites of passage.
You'd see extraordinary-looking people around in the '70s. It was so exciting! You'd have mad people, like Gerlinde Kostiff riding around on her bicycle with a huge hat. Everybody was doing things. I don't have any bad memories of that period.
I arrived in San Francisco in January 1951. After the Second World War, the population was so uprooted. Soldiers came back home for brief periods and took off again. So the population was very fluid, and suddenly it was as if the continent tilted west. The whole population slid west. It took 10 years for America to coalesce into a new culture. And the new culture happened in San Francisco, not New York.
My gut feeling is that SF as we know it today is actually a heavily propagandized field that grew out of a specific set of cultural trends running in the USA and Europe between 1918 and 1950, during the post-imperial modernization period.
I don't have a cellphone or a computer. I deliberately circumscribe my mental life within the periods that I write about, and the power of Perfidia is that it's the result of complete immersion. I was there for the two years that it took me to write that book.
I tend to go through periods worrying, "Where am I going, I can't see a way out of this," and it becomes quite stressful. But sometimes you have to take a bet on yourself.
At 13 I was someone that didn't have a personality yet. It's a fascinating period in a human life. It's so exciting because you are in between childhood and adulthood.
There was a period where I dressed sort of like a mechanic and I looked really schlumpy, and I thought, "This is not who I am. This is not who I want to be." It was a very important moment for me - to not hide.
Though I am never exactly "blocked" I do have difficult periods. I am led by a fascination with material - the challenge of presenting it in an original and engaging way. I have no problem imagining stories, characters, distinctive settings & themes - but the difficulty is choosing a voice & a language in which to present it.
Mania can be as terrifying as it gets. It is certainly as insane as one gets and so it's frightening when it gets out of control, but there are periods of mania when it can be extremely attractive.
We can't say what God is, and until the modern period, Jewish, Christian, and Muslim theologians in the three God religions all knew that. They insisted that we have no idea what we meant when we said that God was good, or wise, or intelligent.
Once you've got a big feminist and political justification for talking about how you went round to Benedict Cumberbatch's house and did period all over his sofa, then there's no reason not to tell that anecdote in the middle of a dinner party.
I'm thrilled because I think that, you know, everyone has gotten what they wanted. You know, I just wanted to be (there) surrounded with the best actors period.
A Dark Age is not just a period in which people no longer know how to do things. The real key is that people no longer remember that certain things can be done at all.
...nuclear warfare is not necessary to cause a breakdown of our society. You take a large city like Los Angeles, New York, Chicago-their water supply comes from hundreds of miles away and any interruption of that, or food, or power for any period of time, you're going to have riots in the streets. Our society is so fragile, so dependent on the interworking of things to provide us with goods and services, that you don't need nuclear warfare to fragment us anymore than the Romans needed it to cause their eventual downfall.
The more intense has been the religion of any period and the more profound has been the dogmatic belief, the greater has been the cruelty and the worse has been the state of affairs.
If the German nation wants to end a state of affairs that threatens its extermination in Europe, it must not fall into the error of the pre-War period and make enemies of God and the world; it must recognize the most dangerous enemy and strike at him with all its concentrated power. And if this victory is obtained through sacrifices elsewhere, the coming generations of our people will not condemn us.
Our institutions, if they do not erode entirely, can survive periods of decadence brought on by our material success, eras when the whole notion of civic militarism seems bothersome, and in which free speech is used to focus on our own imperfections without concern for the ghastly nature of our enemies.
What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry.
It's something that I know how to do because I taught for a very long time, so I can do it, and I feel a responsibility to do it - for instance, in this situation, where I'm touring specifically for this period of time. But most writers are not public people. There are a few writers out there who really enjoy it and are good at it, and can both work and do that at the same time, but I'm not one of those people.
I don't like, speaking about the movie, if I may say couple more words, I like a movie that doesn't drag too much, unless it's purpose. I like a movie with an action with a certain pace. If it's too monotone, I hate it. No, I don't hate it, I just don't like it, period.
What's interesting is that when you get into the post-war period, many of the narratives in books and movies conclude that if you killed Hitler, you're actually going to make history worse.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: