Communication - the human connection - is the key to personal and career success.
You have to have a personal connection. You have to really want to do it, because if you don't, investing yourself personally, your thoughts, your emotions, yourself into a part, is something you're not going to want to do as much.
A human being is a part of the whole called by us universe, a part limited in time and space. He experiences himself, his thoughts and feeling as something separated from the rest, a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison by widening our circle of compassion to embrace all living creatures and the whole of nature in its beauty.
We experience ourselves our thoughts and feelings as something separate from the rest. A kind of optical delusion of consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us.
We must establish a personal connection with each other. Connection before content. Without relatedness, no work can occur.
The local grocery store was a gathering, a community place. You knew the owner, if you didn't have any money they'd let you go for a couple days. You talked. It was a friendly place. Supermarkets are totally impersonal. I mean, you may say hello to the checkout girl or something, but the personal connections are all gone.
You'll lose your reader if you are vague, not clear, and not present. We love details, personal connections, stories.
The best music happens when you have a personal connection to it. That same philosophy can extend to the instrument you hold in your hands: if a guitar means something special, you're bound to do great things with it.
I always try to bring a little bit of my own personality to the character, or some sort of personal connection makes it a little bit more of an organic portrayal and the audience can kind of maybe believe it a little bit more. But I always look for something to kind of connect with and identify with, or bring something of myself to the table.
I think having not only personal connections with friends and family I'm able to pull from, but having a connection with so many people through social media, it also feels like I have a relationship with those people that follow me. And feel that what I'm going through, they've gone through something similar, and that's why we've connected. And they're the ones that make it into that body of work that represents them or that time in their life, because we've found each other.
But in film you always watch situations or stories that you really have no relation to. A lot of times just because there's no personal connection doesn't mean you can't connect with the film or the characters in the film.
Times have changed since 2002 when I won a spot in the group 'Popstars.' Back in the day we would get fan letters in the mail, now you can find anyone and contact people. It's incredible how fans can have a personal connection, share photos, stories.
Obviously because of my personal connection to Mandela and having had his story as part of my childhood, I knew how awesome he was.
Along with church monies and the United Way, most of the others that I give the most to are organizations for which I have some personal connection in that they have affected family members; i.e., kidney, cancer, heart, and organ donation. My wife and I have also contributed to and been heavily involved with the Boys and Girls Club of Utah County.
I think you have to have a personal connection, and that's what I am always looking to try to create: a personal way in to a story.
...compelling outdoor imagery always combines some kind of personal connection to nature and skillful technique. The former seems to be a form of grace, and the latter an act of the will.
When you aimlessly shoot for lofty goals, with no personal connection to them, you loose sight of what really matters, and what will really make you content.
I love myspace and sites like that, cause its allowed me to stay connected to my fans. The personal connection remains the same, but as I've grown, it never gets to be too overwhelming. It allows the artist to be as involved as they want to be.
Developing a personal connection with anyone you're trying to do a big deal with is really important.
I do not believe in a personal connection to God; that's where it gets transcendental.
It's an amazing feeling to feel that I was able to get a personal connection to the work, through the work of it. But I like the idea that I was able to tell a bunch of people's stories even though I didn't know them.
The photographer Ruth Bernhard used to tell me that this is like asking somebody how they evolved their signature. It is not something I've ever worked on consciously. I think style is just the end result of personal experience. It would be problematic for me to photograph in another style. I'm drawn to places and subject matter that have personal connections for me and I photograph in a way that seems right. Where does it all come from, who knows?
I don't think young people are as demoralized as the media and government would like us to think. The obvious sign of that is how strong and how close personal connections are and how much people are able to build a life for themselves, despite all this stuff that's been thrown at them.
My own personal connection with God was not in a religious sense, so I wasn't really thinking in that way when I got the role and when I started doing it.
Even if you don't mind Romneycare, or the abortion flip-flop, or any of the rest, there's a more basic problem: He's not a natural campaigner, and on the stump he instinctively recoils from any personal connection with the voters.
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