God opened my eyes to see Jesus for who He really was. After I trusted Christ, the Lord changed my entire perspective on everything. I started thinking about how I should relate to my parents and how I should approach school and even what it meant for the music I was writing.
My perspective has blossomed. There's always more to learn and more challenges.
To me, the responsibility of an actor is to recreate humanity honestly. I never feel like an actor, I always look at it from a blue collar perspective.
The idea of taking what people call the 'entertainment culture' as a focus of study, including historical perspective, is not a bad idea.
The creative process is a very collaborative process. I know it might seem that way because so much ink is spilled and the media is obsessed with business and numbers and studios... but filmmakers don't think of it that way. We just go off and we tell our stories. It's the same torture that we adore, it's the same torture that our forefathers endured making movies in the golden era of Hollywood. So, from my perspective it's no different, I'm sure, from the men and women who I admire so much who made the earliest movies.
Obviously memoir is subjective truth: It is my memory, my perspective, that's the beauty. But I still wanted to be as factual as I could.
My priority as a father should always remain first. My kids look to me as their example. Every decision I make and everything that I do always has to come back to the question, "Does this make me a better father?" "Will my kids benefit from this?" It's no longer just about me…but about my kids. My perspective in life has changed.
The idea of service to humanity, putting yourself in situations where people have much less than you do, puts life in perspective.
If you keep your perspective correct and understand that people are coming to you because your gift makes room for you in the world, then you do not need to wonder or worry about having to misplace your importance as a person.
You must keep a careful, correct perspective on life that this is not about me but about me serving my gift to the world.
I believe a writer's most important skill lies in being able to see things from different perspectives.
I guess I can call myself a pragmatist with a conservative perspective. It would be hard for me to explain this, but I always take realities of today, lessons from the distant and recent past into consideration.
I feel like a lot of people look at pop music with a very formulaic perspective in numbers and patterns, but an outsider would think that the process is very natural. It is, but there are a lot of times where people treat it like a sport - there are tricks you can pull, different combinations that make something better. I don't really think I approach it that way, but I definitely have a love for the science that is pop song writing.
To make a record requires a strategy; it's not just throwing somebody in the studio and seeing how it goes. Some artists are self-contained, but they still need advice about producers and collaborations and single choice. They need an army and a perspective and creative friction, because nobody has all the ideas.
Having the privilege of sitting down and having 3 hour long uninterrupted conversations with hundreds of brilliant people is an awesome perspective enhancer.
The view of earth is absolutely spectacular, and the feeling of looking back and seeing your planet as a planet is just an amazing feeling. It's a totally different perspective, and it makes you appreciate, actually, how fragile our existence is.
Historically the belief in heaven and the belief in utopia are like compensatory buckets in a well: when one goes down the other comes up. When the classic religions decayed, communistic agitation rose in Athens (430 B.C.), and revolution began in Rome (133 B.C.); when these movements failed, resurrection faiths succeeded, culminating in Christianity; when, in our eighteenth century, Christian belief weakened, communism reappeared. In this perspective the future of religion is secure.
Painters and poets are obliged to exaggerate the proportions of their figures in order to give true perspective.
As a counselor, I have spoken with many people who want to know their spiritual gifts. They come hoping for some sort of diagnostic test that will precisely locate them. My impression is that this perspective represents a breakdown in the church. It reflects a church where we are running around as self-actualizing individuals rather than uniting as a God-glorifying community.
Here was opportunity to make an audience walk and move, be sociable in a way never dreamed of by the rigors of cinema-watching, in circumstances where many different perspectives could be brought to bear on a series of phenomena associated with the topics under consideration. Yet all the time it was a subjective creation under the auspices of light and sound, dealing with a large slice of cinema's vocabulary.
On the other hand, I view the whole matter from a cosmic perspective. I don't take a position. I believe that there are no more positions to take, no certainties, no facts. Many people find this confusing about my films; they say I am hiding out behind irony. But from a cosmic viewpoint, it is eternally unimportant whether one lives or not.
We are all united by the phenomenon that we have a body and that body is universally the same, more or less. If we lose sight of that perspective, everything can desperately suffer.
As travelers, it is our responsibility to adapt, otherwise we miss the whole point: the opportunity to gain a new perspective.
So many things begin to change when you come at the world from that perspective of more than one right answer.
Our perspective is what holds the key to whether the solution is ordinary or extraordinary.
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