I wanted to make pictures that felt natural, that felt like seeing, that didn’t feel like taking something in the world and making a piece of art out of it.
I love the way you can fall in love with a piece of literature; how words alone can get your heart doing that.
I'm very harsh on real estate agents. I'm not sure why. Maybe it's because of how the call every small house 'charming' and every run-down house a 'great fixer-upper'. Just once, I'd like them to show me a house and declare, 'This one's a piece of crap'.
The primordial image, or archetype, is a figure--be it a daemon, a human being, or a process--that constantly recurs in the course of history and appears wherever creative fantasy is freely expressed. Essentially, therefore, it is a mythological figure. . . . In each of these images there is a little piece of human psychology and human fate, a remnant of the joys and sorrows that have been repeated countless times in our ancestral history. . . .
That sense – the only true patriotism – comes slowly and springs from the heart: it is founded upon respect for the family and love for the soil. Premature ‘liberty’ of this kind would have been a disaster: we should have been torn to pieces by petty squabbles before we had ever reached political maturity, which, as things were, as made possible by the long quiet years under monarchical government; for it was that government which, as it were, nursed our strength and enabled us ultimately to produce sound fruit from liberty, as only a politically adult nation can.
Every piece of legislation which came to my desk in the coming years as the governor, I came down on the side of preserving the sanctity of life.
I'm terrible at jigsaw puzzles. Other people solve the puzzle but I just keep trying to make the pieces that don't fit fit. I guess that's what makes me special, I try to assemble jigsaw puzzles incorrectly.
It's very much to do with how I'm feeling ... I love to be experimental and use eclectic mismatched things and put them together to see what third entity is created! I'm not really frightened by experimenting - that's the main thing. I really like mixing very old beautiful pieces that are from thrift shops or that have some historical value with quite new futuristic things.
A short piece of work means as much to me as a long piece of work.
There's definitely some pieces in there that reflect on my personal life, but really, they aren't as personal as everybody thinks they are. I would like them to be more personal. The emotions, the songs themselves are personal. I can't do it - I've tried to write personally and it just doesn't seem to work. It would be too obvious. Some things that you could read in could fit into anyone's life that had any amount of pain at all. It's pretty cliche'.
Being in love means you are completely broken, then put back together. The one piece that was yours is beating in your lover's breast. She says the same thing about hers.
The worst letters come from retired high school English teachers. They will literally take a book and pick it to pieces and send me 14 pages of notes.
I love chess, and I didn't invent Fischerandom chess to destroy chess. I invented Fischerandom chess to keep chess going. Because I consider the old chess is dying, it really is dead. A lot of people have come up with other rules of chess-type games, with 10x8 boards, new pieces, and all kinds of things. I'm really not interested in that. I want to keep the old chess flavor. I want to keep the old chess game. But just making a change so the starting positions are mixed, so it's not degenerated down to memorisation and prearrangement like it is today.
If Tal sacrifices a piece, take it. If Petrosian sacrifices a piece, don't take it.
This is what a city is, bits and pieces that supplement each other and support each other.
In [my] life ... I did not understand steam machinery, but I tried to understand that much more complicated piece of mechanism - man.
James Cain - faugh! Everything he touches smells like a billygoat. He is every kind of writer I detest, a faux naix, a Proust in greasy overalls, a dirty little boy with a piece of chalk and a board fence and nobody looking. Such people are the offal of literature, not because they write about dirty things, but because they do it in a dirty way.
I don't consider myself a musician who has achieved perfection and can't develop any further. But I compose my pieces with a formula that I created myself. Take a musician like John Coltrane. He is a perfect musician, who can give expression to all the possibilities of his instrument. But he seems to have difficulty expressing original ideas on it. That is why he keeps looking for ideas in exotic places. At least I don't have that problem, because, like I say, I find my inspiration in myself.
I'm often wary of using the word 'inspiration' to introduce my work -- it sounds too much like a sun shower from the heavens, absorbed by a passive individual enjoying an especially receptive moment. While that may be the case on rare occasions, the reality is usually far more prosaic. Staring at a blank piece of paper, I can't think of anything original. I feel utterly uninspired and unreceptive. It's the familiar malaise of 'artist's block' and in such circumstances there is only one thing to do: just start drawing.
I got a book token for Christmas and exchanged it for a book called A History of Art, and that book (which I still have-battered and falling to pieces) became more precious to me than any Bible.
Can you imagine what Bush would say if someone like Hugo Chavez asked him for a little piece of land to install a military base, and he only wanted to plant a Venezuelan flag there?
We like to put sacred texts in flowing waters, so I rolled it up, tied it to a piece of wood, placed a dandelion on top, and floated it in the stream which flows into the Swat River. Surely God would find it there.
If you are left with only one piece of homespun,wear it with dignity
I wrote The Same Sea not as a political allegory about Israelis and Palestinians. I wrote it about something much more gutsy and immediate. I wrote it as a piece of chamber music.
The poetic impulse is distinct from ideas about things or feelings about things, though it may use these. It's more like a desire to separate a piece of one's experience & set it up on its own, an isolated object never to trouble you again, at least not for a bit. In the absence of this impulse nothing stirs.
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