My car is always black. I really struggle with red cars. I don't want to attract too much cop attention.
I don't want to just play the same thing. But with The Red Road, no one has ever seen me like that. No one really even knows that I smile, have a personality and have a sense of humor.
I was on Stargate: Atlantis for four years, playing a similar character called Ronon, who was an alien that didn't say much and grunted. I've been there and done that. Whether people have seen it or not, you want to stretch. And then, while I waited, I got The Red Road, and I'd never gotten anything like that.
If you're living a yielded life, and if you have the preaching and teaching gift, and you're yielding that to God on a continual basis, that's one of the signs that you're in the right place doing the right thing for the right reasons. If you're doing something in the kingdom, and you rarely feel that, that's a red flag. Something needs to be looked at. Are you using the right gift? Are you using it in the right way? For the right reasons? At the right time? In the right context? If I didn't feel it consistently, that would be quite troubling to me.
The Mars Rover sent back stunning photos [last week] indicating the past presence of water. The pictures show tiny splotches of blue on the Red Planet. The other theory is that the satellite dish on the rover accidentally picked up CNN's election coverage.
Today we reject the notion of equality between a regime that belongs to the democratic world - even if it is conservative and disagreeable - and a totalitarian dictatorship, whether its colors are black, red, or green. This is why we will never again say that Chamberlain is no better than Hitler, Roosevelt no better than Stalin, and Nixon no better than Mao Zedong, even if we do condemn Roosevelt for Yalta, Chamberlain for Munich, and Nixon for Watergate.
That is why I strongly believe we should working in Congress to make America a better place to run a business by reducing the costly burdens of bureaucracy and red tape.
Color tends to corrupt photography and absolute color corrupts it absolutely. Consider the way color film usually renders blue sky, green foliage, lipstick red, and the kiddies' playsuit. These are four simple words which must be whispered: color photography is vulgar.
I gave to pink, the nerve of the red, a neon pink, an unreal pink.
I remember being mad about having pink and red shoes. I gew up envying other girls' pink and red shoes.
We might have been better off if the question of Obama's patriotism had been raised before he was first elected. Never should we ignore so many red flag warnings again.
From the Far East I send you one single thought, one sole idea - written in red on every beachhead from Australia to Tokyo - "There is no substitute for victory!"
Out-of-whack emotions are always a good beginning point for identifying beliefs that aren't really true, an easy red flag for our inquiry. Exaggerated emotions of anxiety or discouragement invite us to trace them back to the thoughts that are creating them.
The mind that thought of light, heavy, grey, yellow, still, swift, also conceived of magic that would make heavy things light and able to fly, turn grey lead into yellow gold, and the still rock into a swift water. If it could do the one, it could do the other; it inevitably did both. When we can take green from grass, blue from heaven, and red from blood, we have already an enchanter's power.
I have world class photographic red-eye pretty much all the time. As a general rule, if it's taken with a flash, I look like I am possessed by the blazing forces of darkness, at least in the eye department.
If I may bend your ear for a moment, I like Terry Pratchett. I like footnotes. I like footnotes even when they are not as entertaining as a Pratchett footnote, even when they are in the middle of a book on evolutionary biology and briefly explain the Red Queen hypothesis or the fate of the Stephen's Island Wren or how many bunnies can dance on the back of Australia. Footnotes fill me with a very mild glee. The endnote simply does not compare.
My father ran London Films. He made films like 'The Red Shoes,' 'The Third Man.' And he had had a long career in the film business, which was bifurcated with a career in intelligence. He had to deal with gangsters, and sometimes he would take me with him. Also, I went to school with their children.
I want no heaven for which I must give my reason; no happiness in exchange for my liberty, and no immortality that demands the surrender of my individuality. Better rot in the windowless tomb, to which there is no door but the red mouth of the pallid worm, than to wear the jeweled collar of a god.
If Republican legislators succumb to their political addiction to compromise for the sake of getting something passed, no matter how odious, they'll be laying out the red carpet of inevitability for socialized care. Once government gets its foot in the door, more government control is unavoidable.
When in doubt, make a red painting.
Any color is more distinctly seen when opposed to its contrary: thus, black on white, blear near yellow, green near red, and so on.
Your playing is like salt water taffy. You see all the beautiful colors, red, yellow, blue, but they all taste the same.
I love visual stylists like Bob Fosse and Vincente Minnelli and Michael Powell & Emeric Pressburger with The Red Shoes and The Tales of Hoffman.
I didn't really get that good at cutting because I didn't have those three years of gestating and nurturing my skills in the bedroom. I was kind of, like, out and playing in clubs after three of four months, because I was pushy with promoters. But I would just listen to the radio - Stretch Armstrong and Red Alert - and then I would go hang out with Mayhem, who did the WNYU hip-hop show.
I realized the importance of archiving. So I save key pieces from my collections, as well as any red-carpet things that become iconic. I always ask for that stuff back. I'm like, "It's going in my archives."
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