I started going to rock shows at a really young age, and seeing other young people make music definitely influenced me.
I tend to gravitate towards the great rock-and-roll front men, the guys that are very "bare bones." I like Bono, I like Chris Martin(Coldplay) and I like the running around. I think they are amazing at it, but I think that there is something great about a guy that can captivate a room, and very little movement and running everywhere.
I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.
I don't really listen to rock music anymore. But were I to write a song that sounded like it could be a rock song, I'd probably give it to the Pornographers, and I'd be excited to try to make it work.
You can go to any small town in America, there's going to be a metal fan there. You can't say that about post-rock.
I still remember discovering the classic rock station when I was in high school and being totally blown away by it.
I didn't grow up with indie rock - I mean, I listened to bands that are considered indie rock, but I think that term is dead and uninteresting.
Indie rock is just as susceptible - if not more susceptible - to all the gross things about people becoming total ass clowns in music, and only worrying about money and image. I'm not interested in being a part of that.
I'm just a sucker for new-agey synth sounds and instrumentation. I wasn't really thinking of soft rock, but I know that kind of quiet-storm format uses a lot of these sounds.
I love the dynamic contrast between the spontaneous shots and the more formal, pro-rock-star photos.
Maybe one day I'll write my rock album so I can use more obscure references and just be weird. If the lyrics are too crazy, though, then it's not pop anymore.
I am far from an "old" person in human terms, however I've spent over half my life immersed in the punk rock and hardcore community. I am not wholly defined by that as a person, but it is something that has been part of me for a long time.
My priorities now a a musician are so different now than they were as a kid. Everyone wants to be a rock star, and I wanted that too; I wanted to be on magazines and be running around the world and having all the fun.
I was always concerned with making cool-sounding rock records.
This is rock'n'roll, not classical music. It's about people working together.
I need punk rock. It's the medicine for me, but it's bitter and sickening. If you don't need it - if you're happy and healthy - run toward that.
The music that I have always liked has always been more rooted in anger or sadness or alienation or any of those inspirational factors that drove rock'n'roll, gospel, and blues. I tend not to value a more pop aesthetic.
I like whatever's good. Metal, rock, new or old - I don't care, as long as it does something to my brain.
I want people who are going to rock out for the duration.
Now that the generation that grew up on '80s indie-rock has attained influential positions in the culture, that music is the new yardstick. And that will shift yet again some day.
With a four-string, the middle range is less of an option. That kind of 5th that you play on those A and D strings isn't there. So a lot of traditional rock sounds, you can't play them. But to be honest, there was no particular intention when I started playing with four strings. It just worked out that way and it sounded cool.
When you're a touring musician, you're always turning over new rocks and there's always a certain level of tension in your life.
My father is a massive, massive music fan. I grew up listening to rock, soul and jazz.
Like the song "Stereo", to me that's like, kind of hip-hop in that slacker way. There's some slackerisms mixed in with that stuff, but it wasn't really conscious, I guess. When things would get more typical rock'n'roll that was my fallback to go to those kind of lyrics instead of the alternatives.
I was never ready to give up, but I did get words of confidence to move forward from a few musicians that had climbed up the totem pole of rock. They were encouraging words that struck a nerve with me and made me stronger.
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