The popular mythology of creative genius depends on beloved stereotypes of the artist in youth and old age: the misunderstood upstart who forces us to see the world afresh; and the revered sage who shows us depths of insight attainable only through a lifetime of hard-won experience.
The inner is the foundation of the outer. The still is master of the restless. The Sage travels all day yet never leaves his inner treasure.
Every one is struggling for freedom-from the atom to the star. The ignorant man is satisfied if he can get freedom within a certain limit-if he can get rid of the bondage of hunger or of being thirsty. But that sage feels that there is a stronger bondage which has to be thrown off. He would not consider the freedom of the Red Indian as freedom at all.
Our sages developed music from time immemorial to take shelter in one's true self. Real music is not for wealth, not for honors, or not even for the joys of the mind - it is a path for realization and salvation.
Both scientists and sages have told us what we already know to be true in our hearts: everything is connected. Therefore as we change, the world cannot help but change with us.
It was morality that burned the books of the ancient sages, and morality that halted the free inquiry of the Golden Age and substituted for it the credulous imbecility of the Age of Faith. It was a fixed moral code and a fixed theology which robbed the human race of a thousand years by wasting them upon alchemy, heretic-burning , witchcraft and sacerdotalism.
To paraphrase several sages: Nobody can think and hit someone at the same time.
If the way of the sage is true, that we are all dreaming our world into being, then it has to apply not only to our private, personal universe but to the world at large.
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