The score is doing a lot of work. It's like Wagner. It's like a yak carrying people.
I think for what success looks like for me, it is a world in which you can look at the achievement scores, the academic scores, of any school anywhere in this country [the USA], and you wouldn't be able to look at the score and determine what the racial makeup or the socioeconomic makeup of that school is simply because of the academic achievement levels.
It's the vision of the composer that we have to determine, and not the absolute mathematical adherence of the score. In my experience, there have been occasions where I feel that a composer has not notated something as they meant to have it represented.
I'm a strong believer that if you score goals, you win matches.
Money, credit scores, material things don't matter. Life & death, your family & friends, once they're gone it's irreversible. Don't forget.
The two biggest things that translate from a pitching mound to hunting and fishing are patience and perseverance. When you're on the mound, you have to take the game one pitch at a time, regardless of the score, and that approach helps when I'm in the woods or out on the water as well.
U.S. wrestling is more of a scrambling style where guys take a lot of risks. You could watch a match in the states and see a score of 18-12. There is going to be a lot of action, transitions and guys going back and forth and trading points.
It's irrational to assume you can ever truly evaluate yourself as a good or bad human being. You will never have enough information.That "bad person" at work who torments you might be an excellent father to his kids. That other "bad person" at work who screwed up royally today? That error might later lead to a huge breakthrough. We will never have enough info to holistically evaluate a person and score them in totality as "bad" or "good."
The chamber music repertoire is so vast that if one is genuinely curious about music, the art of listening, understanding and responding to a score, the elementary skills and requirements of chamber works are easily applicable to that of any solo playing.
I had great inspiration from a Japanese composer named Toru Takemitsu. He wrote over 90 film scores and a lot of concert music, a lot of classical music, and he gave me a lot of inspiration, as well as composers from other countries.
I did some songs for Baz Luhrmann's The Great Gatsby. I had done a jazz album of Roxy songs, and they used bits of it in the film. It would be nice to score a movie one day.
I've always had a sense of responsibility, whether I've been captain or not. But I must say that I'm both pleased and proud to be Portugal captain, despite how young I am, because I know what it means. My job is still the same though. I need to do what I do best out on the pitch, and that's score goals and help my team win.
I try to get control of the tempo, control of the flow, and get my teammates the ball in the best position to score.
I like to score and drive in runs more than pay attention to batting average.
I literally and truly don't care how many points I score. I get far more satisfaction out of doing the other things that make us winners.
If you go to ice and you think, 'I must score' or 'I must get some points,' you won't score or get any points. You must go and play and don't think about it.
It is good when you score lots of goals, but it is hard.
I don't remember those early playoff games. Keep it positive. I'm a different player. More focused. I know how important it is to score in the playoffs.
I think people fancy me. They can't figure me out. I'm an attractive guy. I make good money and I score goals. I'm the kind of guy I believe people love. And, at the same time, they can't figure out why they love me so much, so they decide to hate me.
Healing cannot be done by settling a score.
When your team scores one run, it's common sense that you have to hold the other team to no runs.
A lot of composers I know hate temp scores because people get attached to them.
I think after everything in the whole process of filmmaking, temp scores are great if you use them for what they're good for, if you use them for that early stage of support for things.
He was magnificent; very clever with outstanding technique. He could pass the ball over five yards or fifty; he could see things to set up other people; he could shoot and he could score goals. If you gave me Paul Scholes and ten others, I would be happy. I would tell them to give him the ball and then we would have a good team.
For me, Paul Scholes has been the best midfield player in the Premier League. By a mile. He has the lot. He scores and creates goals, he can pass the ball, he can head it, and rounds all this off with a competitive streak.
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