Shooting Quotes - Page 34

• People don't realize how long hours are when you're shooting a movie.

  Eric Stonestreet

  Long, People, Realizing

  Biography/Personal Quotes, www.imdb.com.

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• I adore shooting photographs. It's like being a hunter. But some hunters are vegetarians - which is my
  relationship to photography.

  Henri Cartier-Bresson

  Photography, Hunters, Vegetarian

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• I love David Fincher - even though it was just two scenes, I loved the way we worked and could tell by the way he was shooting it that this was going to be an affective movie to say the least.

  Richard Schiff

  Two, Way, Scene

  Biography/Personal Quotes, www.imdb.com.

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• Without a good cultural policy, without adequate help, we will always have individualists, shooting stars who are rapidly forgotten or who stop painting for a more profitable occupation.

  Ralph Allen

  Stars, Occupation, Adequate

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• On my first day shooting '13 Going on 30,' Jennifer Garner had yellow tulips sent to my trailer. I'll never forget them.

  Christa B. Allen

  Yellow, Firsts, Never Forget

  "Biography / Personal Quotes". www.imdb.com.

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• The lyrics stand today (1980). They're still my feeling about politics. I want to see the plan. I want to know what you're going to do after you've knocked it all down. I mean, can't we use some of it? What's the point of bombing Wall Street? If you want to change the system, change the system. It's no good shooting people.

  John Lennon

  Wall, Mean, People

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• If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.

  Bernardo Bertolucci

  Thinking, Paris, Political

  "You, Me, and Bernardo Bertolucci". Interview with Colleen Kelsey, www.interviewmagazine.com. July 2, 2014.

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• Only with gun violence do we respond to repeated tragedies by saying that mourning is acceptable but discussing how to prevent more tragedies is not. But that's unacceptable. As others have observed, talking about how to stop mass shootings in the aftermath of a string of mass shootings isn't 'too soon.' It's much too late.

  Ezra Klein

  Gun, Mass Shootings, Talking

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• There is nothing - no program, no hobby, no vice, no crime - that does not 'create jobs'. Tsunamis, computer viruses and shooting convenience store clerks all 'create jobs'. So that claim misses the plot; it applies to all so is an argument in favor of none. Instead of an argument on the merits, it is an admission that one has no such arguments.

  Chris Horner

  Jobs, Missing, Clerks

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• It is impossible to preserve my friendship with people who are allegedly leaders when they are attacking their own people, shooting at them, using tanks and other forms of heavy weaponry.

  Recep Tayyip Erdogan

  People, Leader, Tanks

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• I learned my business in the theater and in television, particularly working with the actors. You can learn much more in the theater than directing a movie, because then you have no time when you are shooting a movie to really work with the actors. You have to learn this craft somewhere else.

  Michael Haneke

  Somewhere Else, Actors, Television

  "Michael Haneke: The Bearded Prophet of 'Code Inconnu' and 'The Piano Teacher'". Interview with Scott Foundas, www.indiewire.com. December 04, 2001.

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• Mr. Chairman, I think the record should show that for the first time since McKinley, we have a Republican president worth shooting, and I think that's a good sign.

  James Johnson

  Thinking, President, Mckinley

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• With all this talk about the supposed strain in relations [with the Soviet Union], there is an inference that somehow it is our fault. But we didn't kill Russian civilians by shooting down a civilian airplane. We didn't attempt to conquer an adjacent country to ours. We didn't walk out on negotiations and refuse to give a date for when we would resume.

  Ronald Reagan

  Country, War, Airplane

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• You can actually improvise a lot as a voice actor. It's not that entirely different than shooting a live action movie; the characters mouths are quite easy to manipulate once all the information is built into the computer. So you can improvise a lot and it doesn't matter really how far along they are in the process they can really just make the character say something different.

  Seth Rogen

  Character, Voice, Different

  Source: movieweb.com

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• I love going into rehearsals day after day for three, four weeks, trying stuff, coming back the next day, building on that. So many times I'd drive home from the studio [after] shooting and I'd be thinking about a certain moment, and I'd think, "Oh, I know what to do!"

  Anthony Heald

  Home, Thinking, Next Day

  Source: www.avclub.com

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• After the shooting of John Lennon and the early death of so many great stars and the utter naked venal mercantile marketing of pop music and rock music, I don't think anyone really believes that music is anything more than another commodity.

  Stephen Fry

  Stars, Believe, Thinking

  Interview with Tasha Robinson, www.avclub.com. September 22, 2004.

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• Shooting in New York is the shiznit, if I may be so bold. It was great. New York is a character. People who live here know that.

  Robin Williams

  New York, Character, People

  Source: movieweb.com

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• I love making movies, and being in any that I can be in. I'd like to be in those giant movies, as the fifth or sixth lead, and have three or four killer scenes. You don't have the responsibility of the entire movie being on you. I like those roles. I'm shooting for the middle.

  Bill Burr

  Responsibility, Roles, Four

  Interview with Matt Wild, www.avclub.com. June 15, 2011.

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• All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.

  Alexander Payne

  Mean, Writing, Editing

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• When I was 19, I picked up an old, tiny, automatic Yashica camera and I just started shooting. We didn't have iPhones back then, we didn't even have cell phones. I loved having a camera in my hand.

  Drew Barrymore

  Iphone, Phones, Cells

  "Drew Barrymore on her new gig, motherhood, and Adam Sandler". Interview with Lindzi Scharf, www.cnn.com. January 9, 2014.

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• We're beginning to find out that many of the school shootings are side reactions to Prozac-like medications. That's a very big hidden factor.

  Michael Savage

  School, Sides, Medication

  Source: whale.to

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• We [ with Emilio Estevez] asked if we could take some things [ in Breakfast Club] that weren't in the shooting draft, but from earlier drafts, "Can we maybe use this?" And Hughes was very amenable to all that. And there was some stuff that I liked, and I said, "How about this?" And he went, "Well, we'll check with Molly [Ringwald]. Those scenes are with her. And if she likes it, fine." So it was just wonderful. It was great.

  Judd Nelson

  Use, Breakfast, Clubs

  Source: www.avclub.com

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• We worked six days a week [on the The Breakfast Club], so you have one day off. So on that Saturday night, it's not like we could all go out and have a drink because Molly [Ringwald ] and Michael [Hall] weren't old enough. And Ally [Sheedy] pretty much kept to herself. So Emilio and I, every Saturday night, would go into Chicago because we were shooting outside of Chicago in Des Plaines. It's so funny, because even though we might be adversaries in the film, we certainly weren't off-camera. He's a very funny guy.

  Judd Nelson

  Night, Guy, One Day

  Source: www.avclub.com

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• Stagecoach is really my first Western-Western, the whole horses and gunplay. It was really fun. We shot it fast, too. We got lucky with the weather. If it rained, I don't know if we would have been able to finish it. We had like 12 shooting days for the whole thing.

  Judd Nelson

  Horse, Fun, Weather

  Source: www.avclub.com

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• Because you're delegated to a cook book recipe and you slavishly and pedantically rely on it while you're shooting and you're not relying on your creative instincts and you're not relying on something which brings life into movies and excitement into it.

  Werner Herzog

  Book, Creative, Recipes

  Source: collider.com

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