I'm pretty much an open book. I've pretty much talked about anything I'm going through onstage. Between interviews and curious fans, I've been asked everything. And I always give answers. I don't shy away from anything.
I was always shy. Writing was my only outlet. Because I always hid in a room, I spent a lot of time watching people. When I was a small child I could detect hidden body language in others only I could see. People's emotions rub off on me. When I told this to my therapist she said, "Well, you're an empath." I thought, "No way. Like Star Trek?" And she clarified: because I am so socially uncomfortable, I have compassion for others who I recognize are also struggling. People with anxiety are acutely aware.
I feel like politics have always informed what I do. If you know anything about my music, you know I've never been shy about stating how I vote.
I think it's common sense to shy away from the erotic. Perhaps this grand experiment, which started with Lady Chatterley's Lover, of seeing what you can write and how you can write about sex, has reached a certain weary terminus with Fifty Shades of Grey.
Don't be shy about believing in your ideas - even if folks around you think you're crazy.
Power invariably elects to go into the hands of the strong. That strength may be physical or of the heart or, if we do not fight shy of the word, of the spirit. Strength of the heart connotes soul-force. Let it be remembered that physical force is transitory, even as the body is transitory. But the power of spirit is permanent even as the spirit is everlasting.
Under the magnetism of friendship the modest man becomes bold; the shy, confident; the lazy, active; and the impetuous, prudent and peaceful.
I don’t shout the loudest, and I’m quite shy, which was why I was reluctant to throw myself into the public eye. I love beauty, craftsmanship, storytelling and romance, and I probably don’t have the armor to survive the relentless competition that exists in this particular world. But I have my own toughness.
Peter remained very quiet and shy, but when he spoke it made sense.
I went to the Glasgow Youth Theatre and they just let me in. But I was so shy that I was there for about six weeks without actually introducing myself.
I started studying shyness in adults in 1972. Shyness operates at so many different levels. Out of that research came the Stanford shyness clinic in 1977.
I started when I was in college because I was shy and thought it would be a good way to break out of that.
I was too shy to go and meet Princess Diana.
I can go in front of an orchestra. I can go in front of an audience. But if you see me walking through an audience in the reception or through a lot of people, I'm still shy.
I'm super shy, especially at parties.
I found myself getting more publicly shy when the gala events and big crowds started. Some people embrace it. To me, it's not worth enough to risk my private life being public.
I was terribly shy when I was growing up, I really wasn't confident with other people and I think I was always afraid of up or not being this very cool, amazing person that I wanted to be.
The beauty of the collage technique is that you're using sounds that have never met and were never supposed to meet. You introduce them to each other, at first they're a bit shy, clumsy, staring at their shoes. But you can sense there's something there. So you cut and paste a little bit and by the end of the song you can spot them in the corner, holding hands.
A gift of flowers to a woman implies that she is as deliciously desirable as the blossoms themselves; but there may be another and hidden message, contained in the old-fashioned phrases like 'shy as a violet, 'clinging vine,' not originally conceived as pejoratives, that tells more of the truth - which is that flowers are also emblems of feminine submission.
Aaron is not at all what his image might indicate. He's fiercly loyal and a true and total gentleman. He's very shy but has very strong opinions. He's into everything, wardrobe, hair, script, casting.
I try to bring elements of my own personality to every character I've played, but I think I'm pretty similar to the character I'm playing now. The biggest departure would have to have been Freaks' and Geeks Sara, who was this sort of subordinate and shy girl.
I was very shy and I was very introverted as a kid, but whenever I set foot on stage, I kind of opened up, and I think a lot of kids need an outlet to express their creativity. And a lot of kids are scared to do that if there's not a safe environment for that.
I run down to meet Floriana who is breathless from her hike. She stops in the road, the last light at her back. Prickles of rain cling to her unkerchiefed, loosened hair, capturing in her the flickering russet frame of it. Topaz almonds are her eyes, lit tonight from some new, old place, from some exquisitely secret oubliette, which she must often forget she possesses. We talk for a minute and Barlozzo passes us by like a boy too shy to speak to two girls at once.
God doesn’t want us to live timid, shy, weak, wimpy, fearful, boring lives. He wants us to be bold, con dent and courageous, unafraid to try new things. And it never ceases to amaze me what God will do through a person who simply steps out in faith.
I was very shy growing up. My shyness manifested as a big personality, as opposed to the wallflower personality. It's been a journey getting comfortable in my skin. I've worked on trying to find the authentic balance between the bravado of my personality that was sort of a defense and the truth within my bigness.
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