There’s a lot for screenwriters to steal from songwriters, in terms of getting to the point.
I always wanted to be known as a songwriter and not just a songbird.
I'm probably much more influenced by film-makers and painters than I am by other songwriters or poets.
You cant write about stuff you dont know about. You have to live it. You have to roll up your sleeves and get your hands dirty. Live life to be a good songwriter.
She did get put through the system with a lot of the hit songwriters, who were great songwriters, but it was more like 'This is how it's done here. It turned her off - not specific people, but the whole system turned her off. And she wanted to do something, I think, that she could play for her friends in Texas and they would say, Okay, well you're still Miranda.
It seems like songwriting for most songwriters is only one season in their life, a five or ten year period. For me, I don't worry about it, but I know there might come a day when I can't write anymore, or don't have good song ideas or the fire to do it anymore.
The most important thing to me as a songwriter is the breath. The most important thing I could say to somebody is, 'Sometimes I just breathe you in.'
Almost every band has somebody who's the main songwriter and who has a vision, a very clear idea of how a song should be.
On her new LP, Shatter, Jude Johnstone examines heartbreak and loss with such tender resignation that I wept in acknowledgement of its artful simplicity. A lesson in melodic grace delivered by as fine a singer-songwriter as any I know.
None of us went to university, none of us went to college, none of us played in a different band before, none of us done anything. We were the last great band to come out of nowhere, on an indie label. We've sold 50 million records. That's still the benchmark. Until someone does what we've done, I'll always consider myself the last big songwriter
I'm a great songwriter, but I'm not the most talented musician.
Lizzy Parks. Check this out, this is brilliantShe is a fantastic jazz singer definitely one to watch from now on, she’s got a great voice and she’s a great songwriter as well
Taking a song and bringing it to life in a professional recording studio can be an intimidating process at first; I know it certainly was for me. So to be able to offer support and guidance to an emerging singer-songwriter is a huge honor. I look forward to playing a role in such an exciting time of someone's songwriting career.
Bad facts make bad law, and people who write bad laws are in my opinion more dangerous than songwriters who celebrate sexuality. Freedom of speech, freedom of religious thought, and the right to due process for composers, performers and retailers are imperiled if the PMRC and the major labels consummate this nasty bargain.
As a songwriter, I'm not necessarily writing about myself or my life.
Smokey Robinson is one of my heroes as a singer and songwriter, a major influence on my own music from the very start.
I think that I have come at it backwards in a way because a lot of what I'm doing as a songwriter is not incredibly intentional. There's a moment that happens which creates the song or the actual idea for a song, and then I'm like, "Oh, it's this kind of song."
I have a hard time really claiming my place as a songwriter or as doing anything of import really because I feel like I'm tooting my own horn in a way.
I'm a terrible sentence finisher. I think that's why I'm a songwriter. When you write a song, there are no rules, and I think that I talk as if there are no rules. But then I run this great risk of no one understanding me at all.
I know that a lot of songwriters write about a break up. It's a really popular topic. I think heartbreak is the number one thing people write about. I could say that's narcissistic somehow because they want everybody to admire how pained they are. But I actually do think there's something beautiful and uplifting about knowing that you're not the only one who is experiencing or has experienced that kind of devastating loss. Everyone's experienced that.
Anyway, in my performance style, I'm a singer-songwriter. People can call it neo-soul or R&B or whatever. But at the core, when you see me live, I'm a singer-songwriter.
I do all the things that singer-songwriters do. I introduce the songs, I have a story to tell about everything all the time - I cannot be on stage and have something on my mind without telling the audience. I'm super emotional and expressive and vulnerable in that moment.
We as songwriters are in the same position as a professional fisherman. Our fishing grounds are kind of fished out.
I think the 60s and 70s were the peak period for the singer-songwriter, for sure.
Maia Sharp is one of America's great singer-songwriters. Her storytelling runs profound and deep while honoring a pop tradition that urges you to sing along and feel good. Maia sings with an angelic voice that's shrouded in stark realism and a healthy dose of cynicism.....it's an exotic cocktail!
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