The starting point for a better world is the belief that it is possible.
Metaphysics involves intuitive knowledge of unprovable starting-points concepts and truth and demonstrative knowledge of what follows from them.
Imagination is as vital to any advance in science as learning and precision are essential for starting points.
Imagination is as vital to any advance in science as learning and precision are essential for starting points. Let me warn you to beware of two opposite errors: of letting your imagination soar unballasted by facts, but on the other hand, of shackling it so solidly that it loses all incentive to rise.
Since science is essentially objective, involving the study of how things actually are, "materialism" would therefore seem to be its antithesis, since its starting point is the desire to impose upon the natural world a particular and limited way of looking at it.
It is not really difficult to construct a series of inferences, each dependent upon its predecessor and each simple in itself. If, after doing so, one simply knocks out all the central inferences and presents one's audience with the starting-point and the conclusion, one may produce a startling, though perhaps a meretricious, effect.
Just getting totally absorbed in that and therefore when I came back around to [Buckminster Fuller] and found that much of it was made up, I realized that nevertheless, it really was crucial, crucial for how he understood himself, I believe, and certainly crucial for how anyone else ever engaged in his ideas and therefore as a starting point, how can we engage in his ideas today, but with a remove of knowing that it is a myth and being able to navigate it in that sort of level, at that level of reading him as a story.
Generally I know that we've hit on a good idea if there's a moment where I'm going "HA HA HA!" because that's usually my starting point, me laughing.
It's just never the same. At least for me.It's probably because it's just who I am, I never know what that [truth] is. It's so momentary to go, "Oh, yeah, that's true." That's a fundamental starting point for me - to figure out what's true from moment to moment to moment.
The only valid starting point is to understand what we all share - we have to find what we can all agree on.
I've always viewed the Paris Agreement as a starting point. If you look at all the commitments that have been made by all the countries, it's still not sufficient to deal with the very dangerous situation we face. What it has done is that it created an architecture whereby as technology improves, as we find new clean sources of energy, as we make our economies more efficient, then gradually we can turn up the dial and improve the outcomes of Paris.
I tend to focus less on genre as a starting point and more on idea or intention and let the idea dictate genre.
I think Iran deal is on life support, I'll put it that way, but I'm not here to declare one way or the other where it will go. But I do believe it's on life support. I know the president-elect does not like the Iran deal, thinks it's really, really bad. And that's sort of the starting point on that discussion.
If you look at the image [ Portrait of the Artist as a Shadow of His Former Self ], it treads on a kind of popular stereotypical image of the black figure, in both its flatness and slightly comic edge. To take that image as a starting point and to render it in a proto-classical medium, like egg tempera, and then use a repertoire of classical compositional devices to make the picture was a way of setting up an engagement with art history.
I believe in a free society, where aspiration and effort can make the difference in every life. Where your starting point is not your destiny and where your first chance is not your only chance.
The starting point is to create a qualitative understanding of market drivers. You need to get into the head of the consumer and be able to tell her story. It is both art and science. The purpose of the market map is to define dissatisfactions, hopes, dreams and fears. Winning solutions respond to the distinct and specific needs of a group of consumers.
The script is a starting point, not a fixed highway. I must look through the camera to see if what I've written on the page is right or not. In the script, you describe imagined scenes, but it's all suspended in mid-air. Often, an actor viewed against a wall or a landscape, or seen through a window, is much more eloquent than the lines you've given him. So then you take out the lines. This happens often to me and I end up saying what I want with a movement or a gesture.
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