Short stories can be rather stark and bare unless you put in the right details. Details make stories human, and the more human a story can be, the better.
All the words I use in my stories can be found in the dictionary-it's just a matter of arranging them into the right sentences.
In writing a series of stories about the same characters, plan the whole series in advance in some detail, to avoid contradictions and inconsistencies.
The reason 99% of all stories written are not bought by editors is very simple. Editors never buy manuscripts that are left on the closet shelf at home.
Everybody walks past a thousand story ideas every day.
Story writers say that love is concerned only with young people, and the excitement and glamour of romance end at the altar. How blind they are. The best romance is inside marriage; the finest love stories come after the wedding, not before.
For a short-story writer, a story is the combination of what the writer supposed the story would likely be about - plus what actually turned up in the course of writing.
Here in Manto's own words that he wanted to mark his grave with: "In the name of God, the Compassionate, the Merciful Here lies Saadat Hasan Manto and with him lie buried all the secrets and mysteries of the art of short-story writing.... Under tons of earth he lies, still wondering who among the two is greater short-story writer: God or He.
Short stories are designed to deliver their impact in as few pages as possible. A tremendous amount is left out, and a good short story writer learns to include only the most essential information.
If this "critical openminded attitude" ... is wanted, the question at once arises, Is it science that should be studied in order to achieve it? Why not study law? A judge has to do everything that a scientist is exhorted to do in the way of withholding judgment until all the facts are in, and then judging impartially on the merits of the case as well as he can. ... Why not a course in Sherlock Holmes? The detectives, or at least the detective-story writers, join with the scientists in excoriating "dogmatic prejudice, lying, falsification of facts, and data, and willful fallacious reasoning."
I love the necessary ambiguity of short stories - there simply isn't time to render every detail, so much of the story that orbits the literal prose must happen in the reader's imagination. Who knows, maybe the dwindling attention spans means a lucrative future for short story writers.
One of my favorite writers is short story writer/essayist Jorge Luis Borges, who was blind. I'm not claiming to be anything remotely resembling a talent of Borges' caliber, but he is an inspiration and a proof that one can be a meaningful and successful writer while blind.
Before World War II, I was living a very cloistered existence, as most cartoonists do. The work I was pouring out did not come from any real, personal life experience; this was all the residue of the accumulation of Rafael Sabatini, O. Henry, all the short-story writers that I'd been reading.
Well, as a short-story writer, I don't think there are any weaknesses to the genre itself. I guess I would say that the difficulty of the form is that one must create an entire world in five to 30 pages, as opposed to 300. There is very little room for fat - you must be economical. And you must begin as close to the end as you possibly can.
Alice Munro is a particular kind of short story writer in that she writes long, character-driven short stories.
I mean, first, almost all writers these days teach because they don't make enough money publishing to live on, to support themselves - people like Tobias Wolff, Anne Beattie, Amy Hempel, Stuart Dybek; a lot of short story writers, for one thing.
My breakthrough as a reader was when I discovered the European adventure story writers - Alexander Dumas, Robert Louis Stevenson, Sir Walter Scott, to name a few.
It's probably why I'm a short story writer. I tend to remember things in the past in narrative form, in story form, and I grew up around people who told stories all the time.
So it happened at last: I was about to become a thief, a cheap milk-stealer. Here was your lash-in-the-pen genius, your one story-writer: a thief.
In a rough way the short story writer is to the novelist as a cabinetmaker is to a house carpenter.
My favorite short-story writer is John Cheever
A good short-story writer has an instinct for sketching in just enough background to ground the specific story.
Yes, I get dry spells. Sometimes I can't turn out a thing for three months. When one of those spells comes on I quit trying to work and go out and see something of life. You can't write a story that's got any life in it by sitting at a writing table and thinking. You've got to get out into the streets, into the crowds, talk with people, and feel the rush and throb of real life-that's the stimulant for a story writer.
To imagine yourself inside another person...is what a story writer does in every piece of work; it is his first step, and his last too, I suppose.
I didn't intend to become a short-story writer. I became one because I finished a couple of short stories and realized that's what I wanted to do and could do with children and with all the other things in my life.
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