I am a storyteller from a personal viewpoint. When I run out of people I invent ghosts. I don't believe in ghosts. Never saw one.
The truth is, I'm a storyteller. And it scares me, because my training as an academic is that the more accessible you are and the more human you are, the less smart you are. It's a shame trigger for me to be honest.
I’m just a storyteller, and the cinema happens to be my medium. I like it because it recreates life in movement, enlarges it, enhances it, distills it. For me, it’s far closer to the miraculous creation of life than, say, a painting or music or even literature. It’s not just an art form; it’s actually a new form of life, with its own rhythms, cadences, perspectives and transparencies. It’s my way of telling a story.
I am very fond of Edith Wharton. She's quite high brow but also a great storyteller. My favorite is 'The House of Mirth.' I also like 'The Reef.
I'm an old storyteller. I tell the story. It's about the story.
I became a writer because I got addicted to story. The first storyteller in my life was my father.
A lot of modernism does seem to come out of a fear of being thought an ordinary storyteller. So they tell it backwards and they tell it in the present tense and they cut loose the pages and shuffle them around - all that kind of stuff.
Also, in my acting, I feel very much like a storyteller, exploring the flaws of the characters that I interpret. I look for the imperfections, and I love a character that is just so flawed.
I have come to understand that life is too complex and much too short to let amateurs direct the story. I would rather let the Master Storyteller do the writing.
I think spending a lot of time with my mom, who's a talker and a storyteller, and my dad, who has kind of a soft-spoken, understated sense of humor, I think that's how I became what I am, which is sort of an understated storyteller.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
Whole interaction between the storyteller and the listeners had a very powerful influence on me.
My models were oral, were storytellers. Like my grandmothers and my aunts. It's true, a lot of people in my life were not literate in a formal sense, but they were storytellers. So I had this experience of just watching somebody spin a tale off the top of her head. I loved that.
We are basically storytellers, descendants of the old men who sat around the fire and told us legends, fairytales, exploits, or maybe just how funny Og looked when he fell into the tar pit.
Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
We understand ourselves through stories, by making stories out of our lives. Storytellers give people structure with which they can begin to look at their own lives and try to make sense of them.
Even when I think of writing fiction, it's being kind of a liar, a storyteller, a weaver, and there's that sense of how much of this is your life. The story is a way you unravel your life from behind a mask.
Amanda Ashley is a master storyteller.
I'm old-fashioned, a storyteller. I'm not an analyst and I'm not an intellectual.
I kept imagining these people, just living their daily lives, and then having them suddenly ended in unjust tragedy. When we watch the news, we grieve all of this, but when we go to the movies, we want more of it. Somehow we realize that great stories are told in conflict, but we are unwilling to embrace the potential greatness of the story we are actually in. We think God is unjust, rather than a master storyteller.
I think of myself in the oral tradition-as a troubadour, a village tale-teller, the man in the shadows of the campfire. That's the way I'd like to be remembered- as a storyteller. A good storyteller.
On a practical level I'm a TV producer and storyteller who's gone about as long as you can go without achieving a mass audience.
Storytellers, by the very act of telling, communicate a radical learning that changes lives and the world: telling stories is a universally accessible means through which people make meaning.
You can throw away the privilege of acting, but that would be such a shame. The tribe has elected you to tell its story. You are the shaman/healer, that's what the storyteller is, and I think it's important for actors to appreciate that. Too often actors think it's all about them, when in reality it's all about the audience being able to recognize themselves in you. The more you pull away from the public, the less power you have on screen.
What I find interesting about folklore is the dialogue it gives us with storytellers from centuries past.
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