It is psychological law that whatever we desire to accomplish we must impress upon the subjective or subconscious mind.
The belief that one's own view of reality is the only reality is the most dangerous of all delusions.
Does not the very word 'creative' mean to build, to initiate, to give out, to act - rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life - not death.
The focus of subjectivity is a distorting mirror.
All experience is subjective.
We can escape the commonplace only by manipulating it, controlling it, thrusting it into our dreams or surrendering it to the free play of our subjectivity.
Subjectivity is objective.
Where conscious subjectivity is concerned, there is no distinction between the observation and the thing observed.
But instinct is something which transcends knowledge. We have, undoubtedly, certain finer fibers that enable us to perceive truths when logical deduction, or any other willful effort of the brain, is futile.
"Is," "is," "is" — the idiocy of the word haunts me. If it were abolished, human thought might begin to make sense. I don't know what anything "is"; I only know how it seems to me at this moment.
The smell of subjectivity clings to the mechanical definition of complexity as stubbornly as it sticks to the definition of information.
Subjectivity means to catch yourself in the act.
True reflection presents me to myself not as idle and inaccessible subjectivity, but as identical with my presence in the world and to others, as I am now realizing it: I am all that I see, I am an intersubjective field, not despite my body and historical situation, but, on the contrary, by being this body and this situation, and through them, all the rest.
The human understanding is like a false mirror, which, receiving rays irregularly, distorts and discolors the nature of things by mingling its own nature with it.
To say it another way, thinking, however abstract, originates in an embodied subjectivity, at once overdetermined and permeable to contingent events.
It's all about people. It's all about the subjectivity of what people love.
A creation needs not only subjectivity, but also objectivity.
As the ego cogito, subjectivity is the consciousness that represents something, relates this representation back to itself, and so gathers with itself.
I really like when critics reveal their subjectivity and their humanity. I prefer it when people say nice things, but if they say not-nice things or things that are critical, I'm open to it and I accept it. I mean, I have to live with it. But I do think there's a dishonesty in not acknowledging that you're a person with an opinion. I think it's almost like a power grab.
More important than innate disposition, objective experience, and environment is the subjective evaluation of these. Furthermore, this evaluation stands in a certain, often strange, relation to reality.
Truth has been relegated to subjectivity; beauty has been subjugated to the beholder; and as millions are idiotized night after night, a global commune has been constructed with the arts enjoying a totalitarian rule.
I think movies have much more magic than the theater. Theater can be a magical experience, but movies thrust their subjectivity on you in a more profound way.
Nothing other people do is because of you. It is because of themselves. All people live in their own dream, in their own mind; they are in a completely different world from the one we live in. When we take something personally, we make the assumption that they know what is in our world, and we try to impose our world on their world.
Modern culture is constantly growing more objective. Its tissues grow more and more out of impersonal energies, and absorb less and less the subjective entirety of the individual.
Subjectivity is an ability, the capacity to use a new inner mode of presenting the fact that you currently know something to yourself.
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