The shape and texture of fruit is sensuous and fascinating, but the true delight blossoms when you experience the flavor of these colorful gifts of nature.
I love playing with words and texture.
The first thing that strikes you about Timothy Murphys verse is the palpable texture of his line - that sound of sense practised by that other American poet-farmer, Robert Frost. And just as Murphys ear is trained on the rhythms of local speech and classical epigram, his eye holds fast on the image. This is an undeluded vision, sometimes bleak, often funny, and never less than painstakingly crafted.
I don't have the educated knowledge of what textures, colors, shapes and spaces need to be put together to make something just right. I'm learning it by trial and error, which is something that's slow going.
With the classical stuff, I've always been better at the big brushstrokes and broad textures than spending ages honing a chord, or tweaking a sample.
We also had a team of costumers that would do samples for us, of fabrics, textures, people doing silhouettes of things up on dress forms, just to kind of inform the design process. Through all of that we got to the point that we had to figure out how to light them up. So that was a huge undertaking.
I'm not a risk taker physically. I just have no interest in swinging myself off a mountaintop or parachute gliding or skiing down a totally vertical drop. These things don't interest me in the slightest, but I get so caught up in the color or the texture of the sounds of something. That's so funny to me.
Did I choose my hair texture? No. I'm grateful for having this hair on my head.
I studied shades, textures by painting after the Old Masters, the classical European paintings, as part of my educational process.
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