What do we really want to say to the world? Three main themes. The inability to find completion in our modern society, the inability to find completion within ourselves, and the new way to be human in what Christ offers us - His love and His perfect plan of redemption for us.
I think the themes of belonging and parentage and love are obviously universal.
Every broken lunatic needed a theme song.
I read Norman Lock’s The Boy in His Winter with delight and amazement. Styled in the vernacular of a rapidly changing America, it stays true to the themes of Mark Twain’s original: class relations, race and slavery, childhood innocence, moral hypocrisy—and, of course, the stark beauty and unforgiving nature of America’s greatest river. I finished this absolutely elegant narrative feeling that Huck Finn has never been more alive.
Superb historical romance, with a spiritual theme woven seamlessly throughout. I much enjoyed The Covered Deep and look forward to more from its author!
In my writing with Extreme, there are heavy themes. The cover photo has me with a gun to my neck. I am not advocating suicide. I am taking the philosophy that man is the measure of his own fate.
The finder of his theme will be at no loss for words.
Film scores are often based on short themes, and it helps if youve got some way of developing these themes and making them sometimes last 4 minutes and sometimes last 40 seconds. One ends up doing it subconsciously.
I really love writing themes and melody.
There is no reason why challenging themes and engaging stories have to be mutually exclusive - in fact, each can fuel the other.
When I start on a book, I have been thinking about it and making occasional notes for some time... So I have lots of theme, locale, subjects and technical ideas... I don't worry about long periods of not doing anything. I know my subconscious is busy.
A Name Is A Label, And As Soon As There Is A Label, The Ideas Disappear And Out Comes Label-Worship And Label-Bashing, And Instead Of Living By A Theme Of Ideas, People Begin Dying For Labels... And The Last Thing The World Needs Is Another Religion.
When I go to Florida for Christmas I always take my nieces and nephews out on excursions, ... I become like a big kid again. We go on all the big rides at the theme parks or I stick them in go-karts where their feet can't quite reach the pedals. I think that if you can continue to have the child at heart you may grow old physically but you will stay young mentally.
My opening line to my students, and a recurring theme in my classes, was that the big design problem isn't designing a house for your parents or yourself, a museum, or a toaster, or a book, or whatever. The big design problem is designing your life. It's by the design of your life that you create the backboard off which you bounce all your thoughts and ideas and creativity. You have to decide what it is that you want to do each day.
Poetry restores language by breaking it, and I think that much contemporary writing restores fantasy, as a genre of writing in contrast to a genre of commodity or a section in a bookstore, by breaking it. Michael Moorcock revived fantasy by prying it loose from morality; writers like Jeff VanderMeer, Stepan Chapman, Lucius Shepard, Jeffrey Ford, Nathan Ballingrud are doing the same by prying fantasy away from pedestrian writing, with more vibrant and daring styles, more reflective thinking, and a more widely broadcast spectrum of themes.
Out of the blending of human and animal stories comes the theme that I hope is inherent in all my books: that man is an inescapable part of all nature, that its welfare is his welfare, that to survive, he cannot continue acting and regarding himself as a spectator looking on from somewhere outside.
There's something in the Zeitgeist now. A lot of [film] scripts I get have these very dark themes, a cornucopia of dysfunction. You know, Jane is a 13-year-old anorexic who lives with her parents and has been raped by her father. And this is a comedy.
[H]istory is a melodrama on the theme of parasitism, characterized by scenes that are exciting or dull, as the case may be, and many a sudden stagetrick.
Be...As a page that aches for a word Which speaks on a theme that is timeless
He wanted us to play whatever we played in the most characteristic and appropriate style. Even it was the theme from 'The Godfather,' you needed to play that then the way that a Hollywood producer would expect it to be played. Whether it was that or the posthorn solo from Mahler's Symphony No. 3, he would expect that to be played in the way that Leonard Bernstein wanted to hear it. In retrospect, I think it was a sensational way to teach this particular group of students. By the time you graduated you could absolutely read anything with any trumpet.
A young man, just beginning the study of musical composition, once went to Mozart and asked him the formula for developing the theme of a symphony. Mozart suggested that a symphony was rather an ambitious project for a beginner: perhaps the young man might better try his hand at something simpler first. "But you were writing symphonies when you were my age." the student protested. "Yes, but I didn't have to ask how."
I like the stories with the historical themes.
I tend not to know what the plot is or the story is or even the theme. Those things come later, for me.
It's a common theme around the city of New Orleans; we're resilient people because we have to be. We love this place with all of our heart and all of our soul and I just wanted to try to do something that I could to help make it better.
I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.
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