Second edition of Earthworks I have the more traditional compositional approach, namely I write a piece from the piano.
I love entertaining Korean people with traditional songs from Ecuador . It has been an exceptional, new experience for me to perform in Korea and I enjoyed so much.
I used to go to the school folk club with my songs when I was only 13 or so and say "this is a traditional folk song" and sing it with a bad Irish accent to disguise the real source.
In autumn 2012 I conducted a dedication and blessing service following the Civil Partnership of two wonderful gay Christians. Why? Not to challenge the traditional understanding of marriage - far from it - but to extend to these people what I would do to others: the love and support of our local church.
I've been on a real Credence Clearwater kick. I've been collecting their albums on CD -- right now I really like 'I Put a Spell on You.' I don't know who actually wrote it; it might be a traditional, or like, an old blues song, I haven't looked in the liner notes, but it's the first song on their first album. I love all the hits; I mean @#$%&, I like every one of them. I think my favorite song by John Fogerty is 'Have You Ever Seen the Rain?' They're my favorite American band of all time, totally.
People have their own interests and they want to play a certain kind of music. People want to play in orchestras. They want to play on Broadway. Those that want to play traditional jazz and have no interests in the ideas of improvisation. So in spit of the fact that there are fifty violin players, you might only narrow it down to ten and within those ten, there might only be three who have the right kind of background and credentials to deal with what you need to deal with. Everybody's got their own special thing that they are after and a lot of times you don't have time to be training people.
I have been influenced by the greatest artists in jazz, pop, reggae, traditional, ballards, pop, and all types of music, taking the best from each to represent my own personality. Whitney Houston, George Michaels, Sade, Phil Collins, and many others have influenced me.
I always wanted to sing, I always loved to sing. As a child I was singing all the time, and my parents were singing all the time, but not the traditional songs because they were very Christian; the Christian Sámis learnt from the missionaries and the priests that the traditional songs were from the Devil, so they didn't teach them to their children, but they were singing the Christian hymns all the time. So I think I got my musical education in this way. And of course the traditional songs were always under the hymns, because it doesn't just disappear, the traditional way of singing.
The Republican Party has pretty much abandoned any pretense of being a traditional political party. It's in lockstep obedience to the very rich, the super rich and the corporate sector. They can't get votes that way so they have to mobilize a different constituency. It's always been there, but it's rarely been mobilized politically. They call it the religious right, but basically it's the extreme religious population.
Anarchism means all sort of things to different people but the traditional anarchists' movements assumed that there'd be a highly organized society, just one organized from below with direct participation and so on. Actually, one piece of the media confusion has a basis because there really are two different strands in the occupy movement, both important, but different.
Today you have millions of Americans that feel left out and out of place in their own country, struggling to live paycheck to paycheck, called bigots because they hold on to traditional values.
Whatever experimental film aromas cloaked my movies were because I'm a gleefully clumsy, primitive filmmaker. I really like traditional pleasingly narrative films, but I also just couldn't resist throwing in the disruptive. It seems to me that art-house film is at its glorious zenith right now, maybe it can even get better? There's just so many good films, you know Cemetery Of Splendour, Arabian Nights, Miguel Gomes, just so much great work coming out.
On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.
I think there is a misunderstanding about Indians' traditional views. India did send army into Goa, India did send an army into and fought a war in Kashmir in 1948, India did get Hyderabad by force... I think the narrow projection on the international... arena distorted India's image.
We have certain rules for traditional lyric poetry in Korea. I twist my body, confused by what to say and how to act, facing these rules. Confronting traditional lyricism, I speak with a bare body without the tattoos of culture on it.
I do see more and more people who are moving away from traditional religions that exclude others and have hatred as their basis, as part of their ideologies, that conceptualize an angry God that is going to take retribution on all the people who are not a certain way.
I wanted to have more songs with religious backgrounds. The Christmas record has strong, traditional hymns, but it also has a song called 'Christmas in Heaven' about missing someone that you love that's passed on, and wondering what's going on up there on Christmas.
Positivity psychology is part and parcel of psychology. Being human includes both ups and downs, opportunities and challenges. Positive psychology devotes somewhat more attention to the ups and the opportunities, whereas traditional psychology - at least historically - has paid more attention to the downs.
Democratic governments are not suited to the publication of the thunderous revelations I am in the habit of making. The unpublished parts will appear later... when Europe will have restored its traditional monarchies.
In science, the whole system builds on people looking at other people's results and building on top of them. In witchcraft, somebody had a small secret and guarded it - but never allowed others to really understand it and build on it. Traditional software is like witchcraft. In history, witchcraft just died out. The same will happen in software. When problems get serious enough, you can't have one person or one company guarding their secrets. You have to have everybody share in the knowledge.
Personally I don't think day traders are speculating, because traditional speculation requires some market knowledge. They are, instead, gambling, which doesn't.
The labours I devoted between 1888 to 1900 to the critical edition, translation and commentary of Kalhana's Rajatarangini, the only true historical text of Sanskrit literature, afforded me ample opportunities of gaining close contact with Sanskrit savants of Kashmir, the land where traditional learning of Hindu India had flourished in old times greatly and survived until recent years.
The traditional Sanskrit learning has given to Brahaman community of Kashmir, small as it has been always, a distinguished place in the history of Sanskrit literature since early times.
My peer network is international. It's people all over the place who I know, and respect their work. It's not really delineated by traditional nationalist ideas.
On the intimate relationships, I'd say you can be someone who wouldn't normally get attention in traditional media and come onto Instagram and build this massive following.
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